Rubbin' My Root - Big John Wrencher & His Maxwell Street Blues Boys

Big John Wrencher (February 12, 1923 - July 15, 1977), also known as One Arm John, was an American blues harmonica player and singer, well known for playing on Maxwell Street Market, Chicago in the 1960s, and who later toured Europe in the 1970s.John Thomas Wrencher was born in Sunflower, Mississippi, United States. He became interested in music as a child, and taught himself to play harmonica at an early age, and from the early 1940s was working as an itinerant musician in Tennessee, Missouri, Indiana, and Illinois. By the mid 1940s he had arrived in Chicago and was playing on Maxwell Street and at house parties with Jimmy Rogers, Claude "Blue Smitty" Smith and John Henry Barbee. In the 1950s he moved to Detroit, where he worked with singer/guitarist Baby Boy Warren, and formed his own trio to work in the Detroit and Clarksdale, Mississippi areas. In 1958 Wrencher lost his left arm as a result of a car accident outside Memphis, Tennessee. By the early 1960s he had settled in Chicago, where he became a fixture on Maxwell Street Market, in particular playing from 10am to 3pm on Sundays. In 1964 he appeared in a documentary film about Maxwell Street, titled And This Is Free; performances by Wrencher recorded in the process of making the film were eventually issued on the three CD set And This Is Maxwell Street. During the 1960s he recorded for the Testament label backing Robert Nighthawk, and as part of the Chicago String Band. In 1969 he recorded for Barrelhouse Records, backed by guitarist Little Buddy Thomas and drummer Playboy Vinson, who formed his Maxwell Street band of the time. The resulting album, Maxwell Street Alley Blues, was described as "superlative in every regard" by Cub Koda at Allmusic. Wrencher toured Europe with the Chicago Blues Festival in 1973 and with the American Blues Legends in 1974, and during the latter tour recorded an album in London for the Big Bear label, backed by guitarist Eddie Taylor and his band. During a trip to Mississippi to visit his family in July 1977, Wrencher died suddenly of a heart attack in Wade Walton's barber shop in Clarksdale, Mississippi If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Maxwell Street - 24 Pesos

24PESOS is one of the fastest rising bands in the blues scene today. Emerging from the roughneck dives of London, 24PESOS burst on to the blues scene in 2008 with their raw and rootsy live shows and debut album “The Boogie Worm”. The band’s latest album “Busted broken and Blue” (release 19 July 2010) showcases the evolution of the 24Pesos sound – 11 boot stompin’ originals drawing from influences as diverse as Ray Charles, The Meters, James Brown, Freddie King, Howlin Wolf, and the Roots. Featuring saw-tooth Dobro guitars, searing harmonicas, a funky old school rhythm section and a greasy Hammond B3, the album showcases an eclectic and infectious blend that is the unmistakable 24Pesos sound.
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I'll Be Coming Home - Jimmie Lee Robinson

Jimmie Lee Robertson was part of the generation of blues performers who helped establish Maxwell Street in Chicago as a famous blues locale. He was known as "Lonesome" Jimmie Lee, or sometimes nicknamed "The Lonely Traveller".

He was related to Bessie Smith on his father's side, and saw his musical roots as lying in Mississippi (his grandparents had moved north). He first played acoustic guitar, but switched to the electric blues style when he joined the harmonicist Little Walter's band.

(April 30, 1931 - July 6, 2002) He recorded with musicians like Magic Sam and Jimmy Reed, made records as a leader, and took part in the American Folk Blues Festival package tour of the US and Europe in 1965.

He played bass as well as guitar. He took a succession of days jobs in the 1970s and 1980s, but returned to recording in the 1990s, and made several albums for the Delmark, Amina and Apo labels.

He led a protest against the proposed redevlopment of the historic Maxwell Street area and Chicago's blues heritage in the late 1990s, including two lengthy hunger strikes. In 1998 he embarked upon the first of two long hunger strikes in protest.

He had been been diagnosed with bone cancer, and was found dead with an apparently self-inflicted gunshot wound.
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Hubert Sumlin Talks About Maxwell Street

Hubert Sumlin (November 16, 1931 – December 4, 2011) was an American Chicago blues and electric blues guitarist and singer.[1] He was best known for his celebrated work, from 1955, as guitarist in Howlin' Wolf's band. His singular playing was characterized by "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions". Sumlin was listed as number 43 in the Rolling Stone 100 Greatest Guitarists of All Time.

Sumlin favored a Louis Electric Model HS M12 amplifier and a 1955 Gibson Les Paul Goldtop guitarHubert Sumlin talks about playing on Maxwell Street in Chicago. For more on Hubert Sumlin, Chicago's Maxwell Street and the electric blues, check out the critically-acclaimed documentary, "Cheat You Fair: The Story of Maxwell Street"
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Tamp 'em Up Solid - Blind Arvella Gray

Blind Arvella Gray (January 28, 1906 – September 7, 1980) was an American blues, folk and gospel singer and guitarist.

His birth name was James Dixon, and he was born in Somerville, Texas, United States. He spent the latter part of his life performing and busking folk, blues and gospel music at Chicago's Maxwell Street flea market and at rapid-transit depots.

Gray's only album, 1973's The Singing Drifter was reissued on the (Conjuroo) Conqueroo record label in 2005. The re-issue producer was Cary Baker, who wrote the liner notes for the original Birch Records vinyl LP.

Gray died in Chicago, Illinois in September 1980, at the age of 74An excerpt from a tribute to Chicago Blues by Jim Morrissette, Raul Zaritsky, and Linda Williams. Features a performance by Blind Arvella Gray, a 72-year-old blues musician at Chicago's Maxwell Street Market.
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Chicken Man

Chicken Man was a common sight at bus stops in Chicago during the 50's and 60's. Put down a dime watch the show.From the Mike Shea Films classic 'And This is Free'. The most complete account of a Sunday Morning on Chicago's Maxwell St.“Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here

Maxwell Street - Studebaker John

John Grimaldi, better known by his stage name Studebaker John (born November 5, 1952, Chicago) is an American blues guitarist and harmonica player. He is a representative of the Chicago blues style.
Studebaker John's father was an amateur musician, and he played early in life at the Maxwell Street flea market. Grimaldi began playing harmonica at age seven. In the 1970s he put together his band, the Hawks, and worked as a construction worker while recording and performing on the side. He recorded extensively for Blind Pig Records in the 1990s. Grimaldi counts Hound Dog Taylor as the reason he began playing slide guitar.[1] Atom Egoyan choose three of John's songs for his 1993 film Calendar, and included two songs in his 1994 film Exotica.
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Every Day I Have the Blues - Little Johnny Harper

Maxwell Street Blues Artist LittleJohnny Harper.