Showing posts with label Cary Morin. Show all posts
Showing posts with label Cary Morin. Show all posts

Friday, October 19, 2012

Kids learn Blues from John Dee Holeman

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Diggin': "Sweet Home Chicago
Will Dawson, John Dee, Tim Duffy
I took John Dee Holeman to play for the Elementary and Middle School students at Orange County Charter School yesterday. It was wonderful to see the kids fascinated with the John Dee's Piedmont Blues, accompanied by Tim Duffy and Will Dawson, the school's elementary music teacher. The younger students wildly clapped during songs, mouths open in awe, absorbing the music. When Tim asked John Dee to explain the Blues, he said "Well, the blues, it's a feelin' you have. When I was young, the work was hard, and the pay was low... you might be upset, but you couldn't get real mad, you know. The blues, it's a feelin'."

One of the things I love most about working at Music Maker is helping people discover our artists, and the music they play. This was one of those great times - however, what I don't see as often is a giant group of kids ages six to ten playing "Sweet Home Chicago" as a tribute to John Dee. One group played ukeleles, another group played xylophones, and the first and second graders sang and danced. John Dee played along, took a guitar solo, and smiled at the enthusiasm of the whole group. It was really a great morning, and I hope we can see that again sometime!

Here's John Dee's version of "Sweet Home Chicago," for your enjoyment.

-- Corinne 
Listen: 
John Dee Holeman -  Sweet Home Chicago 
Ironing Board Sam heads to the high seas!

Ironing Board Sam

Ironing Board Sam is heading out on the Legendary Rhythm & Blues Cruise next week to play alongside a lineup that includes MMRF Board Members the Carolina Chocolate Drops, Advisory Board Members Susan Tedeschi, Derek Trucks and more!

This is a busy month for Sam - he's just back from the Southern Mississippi Roots Festival and the Crescent City Blues & BBQ Festival - speaking of which, did you see this piece in the Times-Picayune? - and then he's got Capitol Blues Night and the Cruise to finish out October.

Music Maker's Musical Development Program helps Sam and other artists by booking these gigs, coordinating travel, and making sure all details are taken care of.

Sam is thrilled to be working so much, and as he told the Times-Picayune, "I'm going to be around for a long, long time." We're looking forward to see Sam play for a long, long time!
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Whitney, John Dee Holeman & Joan Go to Richmond!
John Dee Holeman - Jimmy Williams The moment we walked into the hotel's large hospitality room, John Dee Holeman was recognized and approached by who I would later learn was Phil Wiggins, a musician who would be playing the harmonica alongside John Dee at the Richmond Folk Festival all weekend. At the time, I was just sure that John Dee was a huge celebrity and suddenly, now that I was out in the world with him, I was seeing it. This happened several more times over the course of the weekend -- whether he was approached by musicians who knew him from way-back-when or just enthusiastic festival-goers--even culminating in what felt like a press scrum (but was in reality a couple of festival volunteers and a couple of enthusiastic fans) slowing us down as we tried to get from one stage to another.

John Dee played four short sets during the festival, all with Phil and Music Maker artist Algia Mae Hinton's son, Williete, who demonstrated buck dance for the audience. His sets were full of soulful blues songs and easily danceable John Dee originals like "Chapel Hill Boogie." At his last set of the weekend, he and the guys were joined by blues artist Super Chikan and Nathan Williams of Nathan and the Zydeco Cha-chas for a "Blues House Party," which packed the field stage with at least a couple thousand audience members (out of an estimated 200,000 in attendance for the whole festival) and had the air and energy of a rock concert.

As we were walking out the door Sunday evening to start our drive back to North Carolina, John Dee was stopped by another enthusiastic fan who wanted to buy some CDs and have them signed. It was rewarding for the festival weekend to be bookended by these little moments of satisfaction, the type of interactions with people that lets you know yes, people are listening and yes, they care.

-- Whitney

Cary Morin and Leyla McCalla
Next Generation Artists Cary Morin and Leyla McCalla
Photo of the Week by Tim Duffy
Don't have tickets yet? Get them now for the new Capitol Blues Night!
 
Cap Blues 1024 poster Cool John Ferguson, Captain Luke, Ironing Board Sam, Big Ron Hunter and Sol perform with the Music Maker Blues Revue!

Tickets on sale now for October 24th!
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Upcoming Shows: Click here for more info on upcoming events 
10/19-10/21 - Robert Lee Coleman, Ironing Board Sam, Nashid Abdul Khaaliq, Big Ron Hunter, Ardie Dean- Blues at the Crossroads, Salina, KS
10/25 - Ironing Board Sam - The Crunkleton, Chapel Hill, NC
10/27- 11/2- Ironing Board Sam, Carolina Chocolate Drops - Legendary Rhythm & Blues Cruise
11/02 - John Dee Holeman - They Eddy Pub, Saxapahaw, NC
11/02 - Albert White - Northside Tavern, Atlanta, GA
11/08 - Ironing Board Sam - The Crunkelton, Chapel Hill, NC
11/09 - Ironing Board Sam - The Depot, Hillsborough, NC
11/11 - George Higgs -  Pinecone Music of the Carolinas, NCMoH, Raleigh, NC
11/15 - Ironing Board Sam - The Crunkleton, Chapel Hill, NC
11/17 - Lakota John and Kin - American Indian Heritage Festival, NCMo, Raleigh, NC
11/22 - Ironing Board Sam - The Crunkleton, Chapel Hill, NC
11/29 - Ironing Board Sam - The Crunkleton, Chapel Hill, NC
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Music Maker Relief Foundation, Inc. helps the true pioneers and forgotten heroes of Southern music gain 
recognition and meet their day to day needs. We present these musical traditions to the world so American culture will flourish and be preserved for future generations.       

Saturday, December 31, 2011

Happy New Year! from Bman! Wishing you the all the best!!


The most commonly sung song for English-speakers on New Year's eve, "Auld Lang Syne" is an old Scottish song that was first published by the poet Robert Burns in the 1796 edition of the book, Scots Musical Museum. Burns transcribed it (and made some refinements to the lyrics) after he heard it sung by an old man from the Ayrshire area of Scotland, Burns's homeland.

It is often remarked that "Auld Lang Syne" is one of the most popular songs that nobody knows the lyrics to. "Auld Lang Syne" literally translates as "old long since" and means "times gone by." The song asks whether old friends and times will be forgotten and promises to remember people of the past with fondness, "For auld lang syne, we'll tak a cup o' kindness yet."

The lesser known verses continue this theme, lamenting how friends who once used to "run about the braes,/ And pou'd the gowans fine" (run about the hills and pulled up the daisies) and "paidl'd in the burn/Frae morning sun till dine" (paddled in the stream from morning to dusk) have become divided by time and distance—"seas between us braid hae roar'd" (broad seas have roared between us). Yet there is always time for old friends to get together—if not in person then in memory—and "tak a right guid-willie waught" (a good-will drink). (Here Bman's friend Cary Morin plays Auld Land=g Syne)

But it was bandleader Guy Lombardo, and not Robert Burns, who popularized the song and turned it into a New Year's tradition. Lombardo first heard "Auld Lang Syne" in his hometown of London, Ontario, where it was sung by Scottish immigrants. When he and his brothers formed the famous dance band, Guy Lombardo and His Royal Canadians, the song became one of their standards. Lombardo played the song at midnight at a New Year's eve party at the Roosevelt Hotel in New York City in 1929, and a tradition was born. After that, Lombardo's version of the song was played every New Year's eve from the 1930s until 1976 at the Waldorf Astoria. In the first years it was broadcast on radio, and then on television. The song became such a New Year's tradition that "Life magazine wrote that if Lombardo failed to play 'Auld Lang Syne,' the American public would not believe that the new year had really arrived."
Hogmanay (Scotland)

Here's a beautiful Cavaquinho solo to blues in the New Year!

(
The birthplace of "Auld Lang Syne" is also the home of Hogmanay (hog-mah-NAY), the rousing Scottish New Year's celebration (the origins of the name are obscure). One of the traditions is "first-footing." Shortly after midnight on New Year's eve, neighbors pay visits to each other and impart New Year's wishes. Traditionally, First foots used to bring along a gift of coal for the fire, or shortbread. It is considered especially lucky if a tall, dark, and handsome man is the first to enter your house after the new year is rung in. The Edinburgh Hogmanay celebration is the largest in the country, and consists of an all-night street party (visit their Hagmanay website here).
Oshogatsu (Japan)

The new year is the most important holiday in Japan, and is a symbol of renewal. In December, various Bonenkai or "forget-the-year parties" are held to bid farewell to the problems and concerns of the past year and prepare for a new beginning. Misunderstandings and grudges are forgiven and houses are scrubbed. At midnight on Dec. 31, Buddhist temples strike their gongs 108 times, in a effort to expel 108 types of human weakness. New Year's day itself is a day of joy and no work is to be done. Children receive otoshidamas, small gifts with money inside. Sending New Year's cards is a popular tradition—if postmarked by a certain date, the Japanese post office guarantees delivery of all New Year's cards on Jan. 1
.(Japanese Funny Tombow does the one man version)

Spain
The Spanish ritual on New Year's eve is to eat twelve grapes at midnight. The tradition is meant to secure twelve happy months in the coming year.
The Netherlands

The Dutch burn bonfires of Christmas trees on the street and launch fireworks. The fires are meant to purge the old and welcome the new.
(Here is a great little tribute played by Crazy Cow Cigar Box of Holland)

Greece

In Greece, New Year's day is also the Festival of St. Basil, one of the founders of the Greek Orthodox Church. One of the traditional foods served is Vassilopitta, or St Basil's cake. A silver or gold coin is baked inside the cake. Whoever finds the coin in their piece of cake will be especially lucky during the coming year.
United States
Probably the most famous tradition in the United States is the dropping of the New Year ball in Times Square, New York City, at 11:59 P.M. Thousands gather to watch the ball make its one-minute descent, arriving exactly at midnight. The tradition first began in 1907. The original ball was made of iron and wood; the current ball is made of Waterford Crystal, weighs 1,070 pounds, and is six feet in diameter.

A traditional southern New Year's dish is Hoppin' John—black eyed peas and ham hocks. An old saying goes, "Eat peas on New Year's day to have plenty of everything the rest of the year."

Another American tradition is the Rose Bowl in Pasadena, California. The Tournament of Roses parade that precedes the football game on New Year's day is made up of elaborate and inventive floats. The first parade was held in 1886.
Widely Observed New Year Symbols and Traditions (Leon Redbone and his 2 cents worth... and a good 2 cents)

Resolutions: It is believed that the Babylonians were the first to make New Year's resolutions, and people all over the world have been breaking them ever since. The early Christians believed the first day of the new year should be spent reflecting on past mistakes and resolving to improve oneself in the new year.

Fireworks: Noisemaking and fireworks on New Year's eve is believed to have originated in ancient times, when noise and fire were thought to dispel evil spirits and bring good luck. The Chinese are credited with inventing fireworks and use them to spectacular effect in their New Year's celebrations.
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Here Jimi shares his tribute to the New Year!)

Tuesday, December 6, 2011

Music Maker artist: Cary Morin - Sing It Louder - New Recording review


I just received the new release "Sing It Louder" from Cary Morin. The release is filled with upbeat acoustic folk/blues tunes which are expertly crafted and sung by Morin. It's curious listening to this recording as it brings to mind the early music of James Taylor where his singing was soothing, invigorating and enjoyable. Morin is a terrific guitar player and uses his acute dexterity to play both chords and finger pick his way through the recording. I have listened to it a number of times today and would say based upon my description, it isn't the typical recording that I would buy, but I am very happy that I have it and plan to play it often. Cary demonstrates great songwriting, singing and playing talents and has put together a very cool recording that if given the exposure it deserves, should find it's place in many permanent collections.

Great job!
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Thursday, December 1, 2011

New Release! Cary Morin's "Sing It Louder"

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Cary Morin's "Sing It Louder" is December Record Club Release!
Sing it Louder Next Generation Artist Cary Morin is about to release his first album on the Music Maker label! "Sing It Louder" features pared-down acoustic Native Americana blues, and highlights Morin's deft fingerstyle guitar talents and distinctive songwriting style while showcasing his decades of music experience. Tim describes Morin as "a brilliant guitarist, heartfelt songwriter and soulful singer whose music gives us pause to reflect on life's greatest rewards."

The album is the December release for the Music Maker Givin' It Back Record Club, which makes a great gift for loved ones! Order the Record Club in December and get not only "Sing It Louder," but three other new releases in 2012! Or, buy Cary's album by itself here.  
Listen: 
Boo Hanks -  Girls Are Crazy About Me 
Digging through the stacks: Boo Hanks
   
Boo Hanks Guitar Girls Are Crazy About Me by Boo Hanks is a collaboration between Boo and Dom Flemons of the Carolina Chocolate Drops. The two met the day Boo arrived at Music Maker from his home in Buffalo Junction, V.A. several years ago. They recorded together that very day, and in another session at Boo's trailer. This recording is on an upcoming CD of those sessions, and we thought it might be fun to share with you a track from the future album. The release date is March 6th, so keep an eye out!  
We love listening to this track in the office - in particular it reminds me of a time a concert-goer was so enchanted with Boo during his song "One Dime Blues" that she asked me for a dime to go give to him. Girls truly are crazy for Boo, so listen to the track above and know we've experienced it first-hand!

--Corinne 
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Eddie Tigner home from hospital

MMRF Artist Eddie Tigner had a health scare two weeks ago and ended up in the hospital. We just received the good news that he's home and doing much better!
Eddie Tigner
Eddie met up with Music Maker through Danny "Mudcat" Dudeck in 1996. He had toured the U.S. for many years until a heart attack forced him to slow down in the late 1980's. Eddie has since recorded two albums on the MMRF label. 

Eddie has had several recent setbacks, but Music Maker has been there to ensure he can keep playing. In 2010 his car and some of his best equipment were stolen. Music Maker and other friends quickly pitched in and replaced what was lost, and Eddie wasn't down for long! Also in 2010, Eddie was diagnosed with Alzheimer's and forced to retire from his job in an elementary school cafeteria. Again, Eddie kept on playing, and Music Maker has been able to send Eddie to tour Australia, Europe and throughout the United States.

Music Maker is able to help artists like Eddie and continues to present them to the world because of supporters like you! Consider a donation today!
Oyster Riot 2011
Photo of the Week
Brian Schimming, Big Ron Hunter, Tim Duffy, Captain Luke, Aaron Greenhood in DC
 by Board Member Rich Henneberry   
Blues Cruise Raffle tickets going fast!

Blues Cruise LogoSupport Music Maker and enter to win this amazing cruise for 2 departing from San Juan, Puerto Rico on October 27, 2012 and returning November 3, 2012. The ship will be packed with non-stop Blues talent! The prize package includes passage in a deluxe veranda cabin, meals and entrance to all musical performances (value of $4,400.*) 


Tickets are $25, and the drawing will be held aboard Blues Cruise #18 on January 28th, 2012! The Power Ticket option for $100 enters you five times into the raffle, and also includes a custom USB drive loaded with Tim's Top Picks for 2011!  Don't wait- get your ticket today!  
   
*Winners are responsible for transportation to/from San Juan, Puerto Rico, taxes, incidentals and gratuity.
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Upcoming Shows: Click here for more info on upcoming events 
12/15 - Ironing Board Sam - The Depot, Hillsborough, N.C.
12/31 - Pat "Mother Blues" Cohen, Robert Lee Coleman, Captain Luke, Cool John Ferguson, Ironing Board Sam, Big Ron Hunter, Albert White, Nashid Abdul Khaaliq, Ardie Dean, Hook Herrara - The Hamilton, Washington, D.C.
1/08 - Lakota John Locklear - NC Museum of History
1/28 - Ironing Board Sam - NC Museum of History
2/12 - Boo Hanks - PineCone presents Music of the Carolinas 
3/09 - Pura Fé, Deer Clan Singers - UNC Pembroke 
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Music Maker Relief Foundation, Inc. helps the true pioneers and forgotten heroes of Southern music gain 
recognition and meet their day to day needs. We present these musical traditions to the world so American culture will flourish and be preserved for future generations.       

Saturday, November 12, 2011

Don't Advertise Your Man - Lakota John & Layla Locklear with Cary Morin


John Lakota Locklear, 14 year old Native American (Lumbee) of Pembroke, North Carolina was 7 years old, when he started playing harmonica and 9 years old when he picked up his first guitar. He was intrigued by the sound of the slide guitar and wanted to learn to play. About a year and a half later, he bought himself a glass slide, placed it on his pinky finger and has been sliding ever since.

In July 2008, he was awarded a scholarship to Centrum’s Country Blues Festival in Port Townsend, WA, where he had the pleasure to join Mr. Phil Wiggins, the late Mr. John Cephas, and other talented musicians for a week of blues music sessions. In July 2009, he returned to Centrum’s Acoustic Blues Festival for another week of workshops and also local performing in the Port Townsend area. Lakota John is a featured solo performer at the Local Artists Blues Showcase where he is also accompanied by his sister Layla, (vocalist); his Dad, John (guitarist) and other well known local musicians that make up Lakota John & Friends. The Local Artists Blues Showcase is held at the HQ Public Library in Fayetteville, NC, and is hosted by Claudia Swartz and BeatHeart Productions. In 2009, he completed his first CD titled “Lakota John, Old Bluez That’z Newz To Me.”
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Friday, October 21, 2011

Sing It Louder - Cary Morin


Cary Morin brings together the great musical traditions of America and beyond like no other, from the rocking, electrified world groove of The Atoll, to the pared-down acoustic blues of Sing It Louder.Released in April 2011, this recording showcases Morin’s deft fingerstyle guitar and distinctive songwriting style, which has been described as acoustic Native Americana, with strong qualities of jam, reggae, jazz, blues, bluegrass and dance.Tim Duffy, president of Music Makers Relief Foundation, describes Morin as “a brilliant guitarist, heartfelt songwriter and soulful singer whose music gives us pause to reflect on life’s great rewards.”
Crow tribal member and son of an air force officer, Morin was born in 1962 in Billings,Montana. He spent the bulk of his youth inGreat Falls before relocating to Northern,Colorado. There, his musical career started off running with The Atoll, a band he founded in 1989 and that toured nationally, quickly gaining an enthusiastic and devoted following. With The Atoll and The Pura Fé Trio, and also as a solo artist, Cary has played celebrated venues across the globe, including Paris Jazz Festival, Winter Park Jazz Festival, Folk Alliance International, River People Festival, Shakori Hill Festival and the 2010 Vancouver Olympics. Cary’s performances have reached millions through national TV in Japan, France and the UK; and national radio in the US (NPR’s Beale Street Caravan), UK (BBC’s Whose London), France (RFI), Switzerland andBelgium. In March 2011, Ole Midlife Crisis, a song he wrote and performed with Pura Fé, placed at number 17 on France’s iTunes blues chart.
Morin currently performs with The Pura Fé Trio, The Cary Morin Duo, and The Atoll.
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