Happy Birthday CHRIS CAIN

Chris Cain (born November 19, 1955, San Jose, California, United States) is an American blues and jazz guitarist with an international following. He began playing professionally as a teenager in local clubs, at festivals, and at private events. Cain received four Blues Music Award nominations in 1987 for his debut album, Late Night City Blues, including Guitarist of the Year. He signed to Blind Pig Records in 1990, releasing his second album, Cuttin' Loose, the same year. The guitarist stayed at Blind Pig for the next few years, releasing Can't Buy A Break in 1992 and Somewhere Along the Way in 1995 If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Two-Day California Beer Festival Features Specialty Craft Beers, BBQ Contest, Big-Name Blues Acts

Are you kidding me! Take someone along to go on beer runs... you're not going to want to miss a minute! Look at this line up!

Big Two-Day California Beer Festival Features

Craft Beers, BBQ Contest, Big-Name Blues Acts

Saturday, September 15/Sunday, September 16 - Mission Park, Ventura, CA

(Ventura, Calif.) - California Beer Festival takes place Saturday, September 15 (12:30 p.m. - 5:00 p.m.) and Sunday, September 16 (11 a.m. - 6:00 p.m.) in Ventura's Mission Park, 36 Figueroa St., in the downtown district. CBF is one of the year's biggest entertainment events featuring everyone's favorite three B's: Beer, Barbeque and the Blues!

Tickets for the California Beer Festival Craft Beer Heaven on Saturday are $50 for General Admission, $70 for a special Saturday-only "V.I.P. Meet The Brewer", or $25 for a Designated Driver Ticket. Sunday it's the CBF Blues, Brews & BBQ Blues Festival for $30 (children 5 and under are free on Sunday only). Ventura County Blues Society members receive a $5. discount with I.D. Advance tickets available at www.californiabeerfestival.com. CBF event proceeds benefit DARC (Dyslexia Awareness And Resource Center) and the Gen Giammaco Foundation. Space is limited! For more information call (805) 323-5691 or email: info@californiabeerfestival.com.

On Sunday, September 16, Kim Wilson (center) and the Fabulous Thunderbirds headline a star-studded Blues lineup at the two-day California Beer Festival in Mission Park, downtown Ventura.

Saturday, September 15: Craft Beer Festival Craft Beer Heaven. Over 150 varieties of specialty craft beers on tap along with 70 microbreweries, great food and live music by popular 14-piece Michael Jackson tribute group, Foreverland. "California Beer Festival's main goal is to shine a light on the Craft Beer Movement and celebrate great beer," says CBF promoter/organizer, Vincenzo Giammanco. There's also a 5K Run on Saturday that will have you running through the streets and along the oceanfront of Ventura, crossing the finish line right inside the Festival itself!

Sunday, September 16: Blues, Brews, & BBQ Blues Festival. Blue Moon Barbeque Cook-Off featuring barbeque teams competing for $3,000 in cash prize plus 15 craft beers on tap. Sunday also features non-stop music by some of the biggest names in the world of blues - Kim Wilson and The Fabulous Thunderbirds (known for their hits "Tuff Enuf," "Wrap It Up," and "She's Tuff," among others); a Tribute To Stevie Ray Vaughan with Crossfire; blues-rock guitarist extraordinaire, Walter Trout; longtime SoCal blues standout harpist-vocalist, Rod Piazza And the Mighty Flyers; Northern California guitar ace, Chris Cain; and Simi Valley's blues stalwarts, Michael John & The Bottom Line. There will be two stages adjacent to one another that day - when one band finishes their set on one stage, the next band immediately starts playing on the other stage!

www.californiabeerfestival.com

California Beer Festival - SOUTHLAND BLUES Feature
Q and A With CBF's Vincenzo Giammanco - ALL ACCESS MAGAZINE
California Beer Festival - BLUES E-NEWS Feature
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Help Me Baby - Chris Cain - LRBC 2012

Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.

Cain was raised on stories of his father's childhood upbringing on Memphis' Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, "I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats."

At the age of eight, Cain taught himself to play guitar and began playing professionally before he was eighteen. Chris studied music at San Jose City College, and was soon teaching jazz improvisation on campus. Over the next twenty years, Cain would also master piano, bass guitar, clarinet, alto and tenor saxophone. The combination of his blues upbringing and his jazz studies melded to form the searing guitar style that sets Chris Cain apart and has moved him to the top ranks of the blues music scene.

Cain's debut recording, Late Night City Blues (Blue Rock'it Records-1987) garnered four W.C. Handy Blues Award nominations, including Guitarist of the Year." Dan Forte of Guitar Player wrote, "An impressive debut album by a top notch guitarist." Cain's next two releases; "Cuttin Loose" (Blind Pig Records-1990) and "Can't Buy a Break" (Blind Pig Records-1992) collected a long list of awards and accolades. In August of 1995 Blind Pig released "Somewhere Along the Way" his 4th compilation of his unique brand of original music sophisticated blues, funk, jazz and gospel.

In 2003 Patrick Ford produced Chris's latest CD, "Hall Of Shame" (Blue Rock'it Records-2003). "...this is now the sixth Chris Cain solo release I have produced, not to mention his work with me on projects like the Ford Blues Bands' "In Memory Of Michael Bloomfield" CD, and I continue to be in awe of his incredible talent. As a guitarist/singer, Chris has been praised by mentors like Albert King and peers like Robben Ford."

Larry Nager (syndicated Scripts-Howard music critic) writes, "Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, "Hall Of Shame" is a giant step in the development of one of the most compelling young bluesmen on today's scene."

Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, "more than anyone else, anywhere, Chris Cain represents the future of the blues."

Here's some footage of Chris from the Legendary Rhythm and Blues Cruise 2012.

Enjoy!!
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Jan. 2012 Legendary Rhythm & Blues Cruise Part I - correspondent Stilladog

Hello Blues fans! They call me Stilladog. Don't ask why, there are many fitting reasons for that name.

The Bman and I have been friends for upwards of 45 years or so and we have shared a common bond in music for that whole time. Suffice it to say he has introduced me to a ton of great music over the years and I have tried to reciprocate. So he asked me to guest author some posts from time to time and help his blog readers become aware of, and familiar with, some of the great blues out there.

Having just returned from the Legendary Rhythm & Blues Cruise earlier this week, I wanted to start off by giving you a run down on the best 7 day party on earth!

The biggest hit of the cruise was without a doubt West Coast guitarist Chris Cain. He was the artist I most wanted to see and I was not disappointed. I met him in the Crow's Nest bar the first hour I was on the ship and saw him play 3 times. Each of his shows were absolutely sizzling!

He obliterated Tommy Castro in a bit of old school "head cutting" at one of the late night jams. All of his shows were filled with passionate tasteful playing that came from both his heart and from deep in his soul.

One of his signature tunes is "Drinkin' Straight Tequila." At his last show in the Showroom At Sea (main concert stage), a gentleman politely handed me a flask of straight tequila with which to totally immerse myself in the music. But that kind of thing happens routinely when you "Bluesin' on the high seas."

Next up, the most pleasant suprise of the cruise; also hailing from the West Coast, was Cafe R&B. I unfortunately was unable to see these guys until the last night. But wow was it worth the wait! Lead singer Roach came on with what seemed to me to be a high-energy combination of James Brown and Tina Turner!! As a matter of fact if James Brown and Tina Turner had a love child it would be Roach!! And much to their credit, Cafe R&B was the only band who acknowledged and honored the passing of Blues great Etta James during the cruise.

In the set that I saw, Cafe R&B also used the percussionist from the Low Rider Band, Chuck Barber. He was fantastic on congas, timbales, and just about every other thing you can hit and make a sound with!

A close runner-up in the most suprisingly good category was Shakura S'Aida from Toronto Canada. Don't lay no Boogie Woogie on the Queen of Rock and Soul! I know that's an old song and Solomon Burke was the King of Rock and Soul. But her cover of it will make you believe Shakura can lay an honest stake to that title!

This is a really tight band with all top notch musicians not the least of which was Shakura's guitarist and frequent songwriting collaborator, Donna Grantis.

I'm not sure what I expected from Shakura. I had a few of her albums so I was familiar with most of her material. I think her stage presence, personality, and the quality of her band really took me by surprise. She is most definitely a lady who should be heard on a widespread basis much more.

I didn't get to hear much of her second set due to a pretty nasty hangover. The source of which was from hanging out with some Californians with personal access to some of the finest Mendocino County wines that they traded me in exchange for a personalized guided tour of Old San Juan, Puerto Rico.

So if Shakura is the new Queen of Rock and Soul, then the undisputed Queen of the Blues is now Shemekia Copeland! With Koko Taylor and Etta James passing in the past 12 months let me declare now that the blues is still in good hands with Shemekia wearing the crown!!

I first saw this young lady sing when she was 19 years old. She absolutely blew me away. I have seen her at least half a dozen times since and I always come away with my mouth wide open because she always delivers a jaw dropping performance!

On this cruise I actually got to meet and talk to Shemekia and her mother, the wife of the late great Johnny "Clyde" Copeland. They were catching a Phillip Fankhauser set in the Crows Nest. For those that don't know, Johnny Copeland mentored and brought to America Phillip Fankhauser so he could live his life dream of becoming a bluesman. Fankhauser lived in the Copeland home when Shemekia was still in high school. Their friendship is uncommon and I have noticed that Shemekia and Phillip are booking festivals together this summer.

Shemekia also guested on numerous songs during one of the 3 Phillip Fankhauser (pronounced Fawnk-houser) sets I attended. Phillip is from Switzerland and after 30 years in the music business he does not hesitate to remind his audiences to "Get my fucking name right. It's Funk Houser. Don't be putting an R in there. It's not Frankhouser."

A lot of Phillip's music is very well written and he went from a virtual unknown to Blues Main Street over the course of 7 days on the ocean! He employs a horn section on most cuts and the arrangements are really nice. I highly recommend picking up any of his albums.

The usual suspects were also present on the cruise, Taj Mahal, and Tommy Castro. At some point Castro fired all his band so this was their last gig as the Tommy Castro Band in it's current configuration. Probably best for everyone. Castro also acts as bandleader for the Legendary Rhythm & Blues Revue which this year featured guitarists Debbie Davies and Joe Louis Walker, and harpist Rick Estrin of Rick Estrin & The Nightcats (Formerly Little Charlie & The Nightcats).

I caught a couple sets of the LRBCR and for my money Debbie Davies stole the show. She was really fantastic. Keith Crossan on Tenor Sax (formerly of the Tommy Castro Band) always turns in a professional performance and the cruise was no exception.

In the photo at left, Keith blows out a break between scorching Debbie Davies solos on the Pool Deck stage.

There are so many artists still to talk about and so many stories to tell I've run out of time for this entry. But check back in a few days and I'll share more opinions and stories of what the Blues Cruise is like including playing the steel drums with the Mighty Dow, Calypso King of St. Maartens and other exciting stuff! And please leave a comment or question so I can focus on what interests you.

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