Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Monday, February 18, 2013

STEVE PHILLIPS

Steve Phillips (born 18 February 1948) is an English blues and country musician. He is mainly renowned for being part of the supergroup Notting Hillbillies along with the Dire Straits frontman Mark Knopfler and Brendan Croker Phillips was born in London, England, but when still a child his family moved to Leeds; he has lived in Yorkshire for most of his life. His father, Harry Phillips, was a sculptor (Harry Phillips inspired Mark Knopfler to write the song "In the Gallery," from the debut Dire Straits album), and his mother was a painter. At the age of 13, Phillips began learning to play guitar and started playing in different pubs in Leeds. In 1965, at the age of 17, he formed a band called Easy Mr. Steve's Bootleggers in which he mainly played piano. The group eventually recorded some demos but these were not released until 1996. They split up in 1967, although the various musicians continued to work together in different combinations from time to time. In 1968, after buying his first steel resonator guitar, a vintage National, he played many solo gigs in Leeds pubs. Then, a journalist working for The Yorkshire Evening Post, called Mark Knopfler, met him in order to get an interview. They soon become friends and started playing together. Their stage name was The Duolian String Pickers. They went on playing in different pubs. Finally, in 1973, Knopfler left Leeds and moved to London to become part of Brewer's Droop and, afterwards, founded Dire Straits, with whom he finally reached mainstream recognition. By the mid-1970s, Phillips had met the Bradford-born songwriter, singer and guitarist Brendan Croker. They opened a club in a Leeds pub called The Packhorse, where they also played guitar. As a side project, Phillips spent his spare time painting. Finally, in the 1980s, Phillips was persuaded to release his first album, titled ironically The Best Of Steve Phillips. Recorded between 1977 and 1986, the album contained fourteen tracks, only one of which was self-composed: the rest were classic country blues and ragtime instrumentals by such artists as Blind Willie McTell, Big Bill Broonzy and Blind Blake. In 1989, he released a second album, Steel-Rail Blues, which contained more of his own compositions as well as arrangements of others' songs. Knopfler, already famous as the leader of Dire Straits, offered to produce Phillips's next album for him. However, following an impromptu (and still well-remembered) gig in May 1986 at the famous Grove Inn in Leeds (one of the city's most celebrated musical venues) in which Knopfler joined Phillips and Croker, Phillips suggested the they form a band along with Croker (who had also released a couple of albums with his band The 5 O'Clock Shadows). This idea became The Notting Hillbillies. Through this group, Phillips achieved a wider recognition that allowed him to go on releasing his full solo albums and to enhance his career. Phillips went on releasing albums throughout the 1990s. He has worked with a wide group of musicians whom he calls on for band gigs; they were at one time called The Famous Five but are now known as The Rough Diamonds. Most of these musicians (and other guests) have appeared on his albums, except for his most recent, Solo (2005) which is Phillips on his own. (These recordings are difficult to find outside the UK, despite the fact that Phillips is internationally known as an excellent blues singer and guitarist and has undertaken several overseas tours, notably in Italy, Spain and Scandinavia). In 1996, Just Pickin' was released; an album that gathered previously unreleased demos with Easy Mr Steve’s Bootleggers, Mark Knopfler, Brendan Croker and other musicians. These recordings spanned nearly thirty years, from 1965 to 1981. Phillips usually tours solo, with occasional gigs with The Rough Diamonds. He has also played with other solo blues artists such as Ray Stubbs, Doug McLeod and Hans Theessink. He still plays regularly with Croker and appears occasionally with Knopfler and his band, especially for charity fund-raising gigs. When not touring, Steve and The Rough Diamonds play most Tuesday nights at the Grosvenor Hotel in Robin Hood's Bay, North Yorkshire. These informal evenings usually gather a good audience and often feature friends of Phillips and the band 'sitting in' for all or part of the gig. The music ranges from early blues to rock'n'roll, country to Chicago R&B. A live album of material recorded at the Grosvenor will be issued in 2008.[dated info] In addition to his skills as a musician, Phillips is a noted landscape painter, specialising in scenes around his North Yorkshire home area. These paintings are notable for their treatment of North Yorkshire's distinctive but elusive light, and have a luminous quality which renders them instantly recognisable as his work. His album, Been A Long Time Gone, has a detail from one of his paintings on the sleeve. As if musical and artistic gifts were not enough, Phillips has an enviable reputation as a builder and restorer of guitars. Though guitars made by N.S. Phillips are few in number, they are greatly sought after and are owned by musicians such as Knopfler, Croker, Dave Peabody and Dave Speight. The 6-string he made for Knopfler featured heavily on the Notting Hillbillies' album and has been described by Knopfler as one of his favourites.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Friday, January 18, 2013

Glass Castle recording Artist - Hat's Off Gentlemen It's Adequate - Invisible

I just received the debut release, Invisible, from Hat's Off Gentlemen It's Adequate. This is no blues recording but it is adventurous and interesting. The recording opens with While I Still Can, a track that reminds me of early San Francisco rock. This has all of the clues, free flowing jamming, electric guitars and flute. The band is made up of Malcolm Galloway (vocals/guitar/keyboard) Kathryn Thomas (flute) Mark Gatland (bass) Ibon Bilbao (guitar) Rudy Burrell (drums - live). Me Again has a bit of a heavier tone sounding more like what David Gilmore may have sounded like if he had been born in Seattle. Frail Hurricane has a much more of an arena rock sound with a little Billy Idol or David Bowie mixed in and overall is not my favorite, but there is something about this that catches my attention. Forgive me but I find myself singing along... Blow Me... Blow Me... Blow Me Away. By The Water is a solemn track in the vein of the earliest of King Crimson tracks ... yes I hear the clean Hiwatt guitar sound that could easily be compared to David Gilmore. It's a cool track. All This Time takes a pop direction maybe toward Chris Isaak. This could easily be the big seller on the recording with its subtle melody and contained vocals. Wait For The Storm is a quiet folk like track with drums, light guitar and flute, almost reminiscent of early Traffic. Interesting. Invisible takes a definite hint from some of the earlier Pink Floyd stuff with quiet background and prominent guitar work but in this case more prominent vocal track. Hello is a straight up electronica track. If you like electronica for electronica sake... that means, if you're not going to Jeff Beck it... this is what you get. It's enjoyable and a cool groove. Just So Love You completes a quirky but interesting recording. This track opens with a Steely Dan riff but turns into the simplest of soulful pop tracks. Overall this is an interesting recording with a little something for everyone.

 If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Thursday, November 29, 2012

Ronny Jordan

One of the acid jazz movement's most prominent guitarists, London-born Ronny Jordan is widely credited with returning the instrument to its rightful place as a major force in modern-day jazz; despite outcries from purists, few other artists of his era proved more pivotal in knocking down the long-immutable boundaries of contemporary black music. The son of a preacher, Jordan's early musical history was rooted in gospel; his first public performances were with gospel groups, but the outbreak of Brit-funk during the early '80s led him to begin exploring other avenues of music, culminating in a fascination with jazz. A self-taught guitarist, his early influences included Charlie Christian, Wes Montgomery, and Grant Green, and when hip-hop began to take off, Jordan started exploring ways to fuse jazz and rap together. The first fruit of his endeavors was the single "After Hours," a primitive foray into what would eventually become known as acid jazz. Record companies initially wanted no part of Jordan's music, but when his distinctive cover of the Miles Davis classic "So What" became a hit, it was clear something was afoot. He soon released his debut LP, 1992's Antidote, but it was rapper Guru's breakthrough 1993 album, Jazzmatazz, Vol. 1, on which Jordan's guitar work was prominently featured, that made acid jazz a viable proposition. He subsequently issued such albums as 1993's Quiet Revolution, 1996's Light to Dark, and 2000's Brighter Day. More to come.... As a bonus I see that Ronnie plays a custom built by my friend Woody Phifer Phifer Designs If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Saturday, October 27, 2012

Early In The Morning - Eddie Martin Band

Born in London in the 60’s, Eddie Martin wrote his first songs aged 12 and, influenced by acoustic and rock singer-songwriters from both sides of the Atlantic, turned professional after being nominated for Best British Blues Guitarist, Band and Album between 1996 and 1998. Since then he has built a strong following as an acoustic artist and charismatic band leader, he has also recorded and performed with many greats from both sides of the Atlantic, including John Mayall, Peter Green, Buddy Guy, and Taj Mahal. His prolific recording and touring schedule takes him from his native UK all round the world to major events - first touring the USA to some acclaim in 1999. Recent years have for example, seen his big band headline the Colne International Rhythm and Blues Festival in the UK, his trio perform at the prestigious Cahors Blues Festival in France, and attend the World Harmonica Festival in Germany where he performed solo, held a harmonica masterclass and judged the world blues harmonica competition He continues to record numerous live and studio sessions for national radio programs (BBC Radio 2 in the UK). His songs have found their way to the finals of the International Songwriting Competition and to the song stable of Alligator Records. And his live performances have always attracted accolades. “The stuff of legend” said Guitarist Magazine this year,”a live act not to be missed” said Blues Revue USA. He will continue touring through 2007-8 with his powerful roots-rock trio and as a solo acoustic singer-songwriter/one-man-band to promote his 2 current releases on Blueblood Records, “Contrary Mary” and “Flowers to the Desert His acoustic style has developed into a percussive blend of traditional blues slide and fingerpicking styles with flamenco rasguerdo techniques. These he combines with rack harmonica playing and foot percussion in the style of the one-man-blues bands such as Duster Bennet, Joe Hill Louis and Dr Ross. On the electric, his forbears are clearly more robust and forceful: Freddy King, Albert King and Buddy Guy as, for example, “the Times” has noted. His guitar-playing alone has seen his cd work commended by the Guitar Press around Europe, receiving”excellent” tags from “Guitar” “Guitarist” in the UK and “Guitar and Bass” in Germany. Most strikingly innovative is the simultaneous rack harmonica and guitar style that he has developed and which caused the International Harmonica Federation to single him out as one of the innovators on the instrument at the World Harmonica Festival in Germany. A master songwriter, acoustic and electric guitarist, harmonica player and powerful singer, Eddie Martin has been described as “the most remarkable blues man of his generation” by Blues in Britain. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - - -

Saturday, October 20, 2012

Reconsider - Strayhorn

Paul Ferreira – vocals, guitar, harmonica Paul began playing the blues in the early 1970s. Largely self taught, he has been making music and writing songs for his own interest and enjoyment ever since. Strayhorn began as a solo project, made possible by affordable multi-track home recording, with the distant dream of finding the right people to play with. In the summer of 2010, after accepting an invitation from an old friend, Algerian band leader Seddik Zebiri, to his Sunday jam at Charlie Wright's in Hoxton, he was fortunate enough to connect with some fine jazz musicians who share his love of the blues. Oli Arlotto – tenor saxophone French born, living in London for many years, Oli is one of the most exciting and versatile horn players on the British jazz scene with a rich and energetic sound. He has toured in Europe with Vincent Arnaldi and numerous other French jazz bands. In 1998 he formed the 5 piece jazz-rock band 804d, touring nationwide and in London. Since then Oli has played with blues artists like Canadian guitarist/singer Drew Barron (ex Buddy Miles` band) and played all over the UK with many excellent jazz musicians and his own quartet. Michael Searl - drums Originally inspired by a Phil Collins concert on TV Michael took up the drums while at senior school and learnt to play by hitting everything in sight. For many years his kit consisted of Argos shopping catalogues, a rubber pad, a wooden chest, and the floor. He has a love of ALL kinds of music - having learnt to play by jamming with whatever was on the radio, or along with old tapes from family members...etc. Currently very busy on the London gig scene, Michael is feeling very Blessed...and in the words of his fellow Jazzaholic, Sir Lance Rose: "I just like it when it makes me wanna Dance" Michele Montolli - bass Born in Verona in 1986. At 8 years old he took up classical violin at the Conservatory in Verona. In his early teens he switched to electric bass and started to play in several local bands (rock, blues, reggae). At the age of 17 he studied classical double bass at the Conservatory in Verona, later taking up jazz double bass in Austria at the University for Music in Graz ( Wayne Darling's class), graduating in 2009. He has performed at the Verona Jazz Festival in 2006 and at many others around Europe and Balkan Penisula. Currently he's based in London and involved in a number of world music and jazz projects - Alejandro & the Magic Tombolinos, Don Menza Italian Quintet, Curiòrkestra. He has one album release for Azzurra Music with Baobab Ensemble – (UZUBUZU). Joe Bickerstaff – keyboards Joe started on violin aged 6 and struggled for five years to keep the damn thing in tune. And then at 11 discovered the piano which he taught himself, without the constraints of tutorship or preconception. The blues was where he started and remains in his very fibre. Branching out into jazz, jazz funk and cocktail to make a living, Joe has travelled the world through music, but is now firmly settled in North London. Glastonbury, Hyatt Singapore, Jumeriah Beach Hotel Dubai and the Langham, Dorchester, Hilton, Vortex and Grosvenor in London are semi-regular venues. All very grand, but Joe's heart remains with the blues and the opportunity to play them with Strayhorn is a true homecoming. “To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!

Tuesday, October 2, 2012

Untitled Blues - Dave Peabody

Dave Peabody (born David Peabody, 20 April 1948, Southall, Middlesex, London, England) is an English singer-songwriter, blues and folk musician, record producer and photographer, active since the late 1960s, who has appeared on more than 60 albums. He is primarily known for his acoustic guitar playing, in both bottleneck and fingerpicking styles. He first recorded in 1971 as a member of a group, Polly Flosskin, who recorded an album, Sailin' on the Ocean, and then as a member of a successor group, Tight Like That, on the Village Thing label. He also performed with early versions of Savoy Brown and Fleetwood Mac. His first, self-titled, solo album was released in 1973. In all, he has released nine solo albums, the last being Side by Slide in 2005. He has also performed and recorded with a wide variety of other blues musicians, notably Charlie Musselwhite and Big Joe Duskin, as well as in a duo with Bob Hall, and has appeared at many blues festivals in the US and in Europe. In 1996, he replaced Paul King in the King Earl Boogie Band. Peabody was voted "Acoustic Blues Artist of the Year" in 1995, 2001 and 2002 If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Sunday, September 9, 2012

Side Tracked - Ramon Goose Band


Whether performing as an acoustic blues/gospel trio or as an electric blues band Ramon Goose strives to bring both sophistication and soul to his music. The Ramon Goose Band has been performing in venues and festivals across the UK and Europe to great acclaim. What you will hear is dazzling guitar playing and a kick ass band performing hard hitting Texas Blues to sophisticated Uptown Jazzy Blues and everything in between. They have just completed a national tour of France (which included four maximum security prisons!!!) to road test new material for the “Uptown Shuffle” album out later this year. Ramon Goose has been described as the “British Ry Cooder” and has paid his dues to earn such a title: working as a sideman to greats such as Eric Bibb & Pee Wee Ellis, producing /co-writing the acclaimed “Drew,Mississippi” album with Mississippi born Bluesman Boo Boo Davis and also fusing modern sounds with the ground breaking and very successful Nublues project. Currently Ramon is working on a side project/album with Diabel Cissokho from Senegal (noted for his Kora playing with West African superstar Baaba Mal) the album will be released on Dixiefrog Records in early 2010. "they succeed admirably in beating Moby at his own game" The Observer "this really is a new direction" MOJO “fresh and right up-to-date”
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”