James Douglas "Jim" Morrison (December 8, 1943 – July 3, 1971) was an American singer-songwriter and poet, best remembered as the lead singer of Los Angeles rock band The Doors. Following The Doors' explosive rise to fame in 1967, Morrison developed a severe alcohol and drug dependency that culminated in his death at the age of 27 in Paris. He is alleged to have died of a heroin overdose, but as no autopsy was performed, the exact cause of his death is still disputed. Morrison was well known for often improvising spoken word poetry passages while the band played live. Due to his wild personality and performances, he is regarded by critics and fans as one of the most iconic, charismatic and pioneering frontmen in rock music history. Morrison was ranked number 47 on Rolling Stone's list of the "100 Greatest Singers of All Time", and number 22 on Classic Rock Magazine's "50 Greatest Singers In Rock" James Douglas Morrison was born in Melbourne, Florida, to future Rear Admiral George Stephen Morrison and Clara Morrison. Morrison had a sister, Anne Robin, who was born in 1947 in Albuquerque, New Mexico; and a brother, Andrew Lee Morrison, who was born in 1948 in Los Altos, California. He was of Irish and Scottish descent. In 1947, Morrison, then four years old, allegedly witnessed a car accident in the desert, in which a family of Native Americans were injured and possibly killed. He referred to this incident in a spoken word performance on the song "Dawn's Highway" from the album An American Prayer, and again in the songs "Peace Frog" and "Ghost Song." Morrison believed this incident to be the most formative event of his life, and made repeated references to it in the imagery in his songs, poems, and interviews. His family does not recall this incident happening in the way he told it. According to the Morrison biography No One Here Gets Out Alive, Morrison's family did drive past a car accident on an Indian reservation when he was a child, and he was very upset by it. The book The Doors, written by the remaining members of The Doors, explains how different Morrison's account of the incident was from the account of his father. This book quotes his father as saying, "We went by several Indians. It did make an impression on him [the young James]. He always thought about that crying Indian." This is contrasted sharply with Morrison's tale of "Indians scattered all over the highway, bleeding to death." In the same book, his sister is quoted as saying, "He enjoyed telling that story and exaggerating it. He said he saw a dead Indian by the side of the road, and I don't even know if that's true." With his father in the United States Navy, Morrison's family moved often. He spent part of his childhood in San Diego. While his father was stationed at NAS Kingsville, he attended Flato Elementary in Kingsville, Texas. In 1958 Morrison attended Alameda High School in Alameda, California. He graduated from George Washington High School (now George Washington Middle School) in Alexandria, Virginia in June 1961. His father was also stationed at Mayport Naval Air Station in Jacksonville, Florida[citation needed]. Morrison was inspired by the writings of philosophers and poets. He was influenced by Friedrich Nietzsche, whose views on aesthetics, morality, and the Apollonian and Dionysian duality would appear in his conversation, poetry and songs[citation needed]. He read Plutarch’s "Lives of the Noble Greeks and Romans". He read the works of the French Symbolist poet Arthur Rimbaud, whose style would later influence the form of Morrison’s short prose poems[citation needed]. He was influenced by Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Charles Baudelaire, Molière and Franz Kafka[citation needed]. Honoré de Balzac and Jean Cocteau, along with most of the French existentialist philosophers. His senior-year English teacher said that, "Jim read as much and probably more than any student in class, but everything he read was so offbeat I had another teacher, who was going to the Library of Congress, check to see if the books Jim was reporting on actually existed. I suspected he was making them up, as they were English books on sixteenth- and seventeenth-century demonology. I’d never heard of them, but they existed, and I’m convinced from the paper he wrote that he read them, and the Library of Congress would’ve been the only source." Morrison was arrested in Tallahassee after pulling a prank while drunk at a football game Morrison went to live with his paternal grandparents in Clearwater, Florida, where he attended classes at St. Petersburg College (then known as a junior college). In 1962, he transferred to Florida State University (FSU) in Tallahassee, where he appeared in a school recruitment film. While attending FSU, Morrison was arrested for a prank, following a home football game. In January 1964, Morrison moved to Los Angeles to attend the University of California, Los Angeles (UCLA). He enrolled in Jack Hirschman's class on Antonin Artaud in the Comparative Literature program within the UCLA English Department. Artaud's brand of surrealist theatre had a profound impact on Morrison's dark poetic sensibility of cinematic theatricality. Morrison completed his undergraduate degree at UCLA's film school within the Theater Arts department of the College of Fine Arts in 1965. He never went to the graduation ceremony, instead having his degree diploma mailed to him. He made several short films while attending UCLA. First Love, the first of these films, made with Morrison's classmate and roommate Max Schwartz, was released to the public when it appeared in a documentary about the film Obscura. During these years, while living in Venice Beach, he became friends with writers at the Los Angeles Free Press. Morrison was an advocate of the underground newspaper until his death in 1971. He later conducted a lengthy and in-depth interview with Bob Chorush and Andy Kent, both working for the Free Press at the time (January 1971), and was planning on visiting the headquarters of the busy newspaper shortly before leaving for Paris Morrison joined Pam in Paris in March 1971. They took up residence in the city in a rented apartment on the rue Beautreillis (in the 4th arrondissement of Paris on the Right Bank), and went for long walks throughout the city, admiring the city's architecture. During this time, Morrison shaved his beard and lost some of the weight he had gained in the previous months. His last studio recording was with two American street musicians—a session dismissed by Manzarek as "drunken gibberish". The session included a version of a song-in-progress, "Orange County Suite", which can be heard on the bootleg The Lost Paris Tapes. Morrison died on July 3, 1971 at age 27. In the official account of his death, he was found in a Paris apartment bathtub (at 17–19 rue Beautreillis, 4th arrondissement) by Courson. Pursuant to French law, no autopsy was performed because the medical examiner stated that there was no evidence of foul play. The absence of an official autopsy has left many questions regarding Morrison's cause of death. In Wonderland Avenue, Danny Sugerman discussed his encounter with Courson after she returned to the United States. According to Sugerman's account, Courson stated that Morrison had died of a heroin overdose, having insufflated what he believed to be cocaine. Sugerman added that Courson had given him numerous contradictory versions of Morrison's death, saying at times that she had killed Morrison, or that his death was her fault. Courson's story of Morrison's unintentional ingestion of heroin, followed by his accidental overdose, is supported by the confession of Alain Ronay, who has written that Morrison died of a hemorrhage after snorting Courson's heroin, and that Courson nodded off instead of phoning for medical help, leaving Morrison bleeding to death. Ronay confessed in an article in Paris that he then helped cover up the circumstances of Morrison's death. In the epilogue of No One Here Gets Out Alive, Hopkins and Sugerman write that Ronay and Agnès Varda say Courson lied to the police who responded to the death scene, and later in her deposition, telling them Morrison never took drugs. In the epilogue to No One Here Gets Out Alive, Hopkins says that 20 years after Morrison's death, Ronay and Varda broke their silence and gave this account: They arrived at the house shortly after Morrison's death and Courson said that she and Morrison had taken heroin after a night of drinking. Morrison had been coughing badly, had gone to take a bath, and vomited blood. Courson said that he appeared to recover and that she then went to sleep. When she awoke sometime later Morrison was unresponsive, so she called for medical assistance. Hopkins and Sugerman also claim that Morrison had asthma and was suffering from a respiratory condition involving a chronic cough and vomiting blood on the night of his death. This theory is partially supported in The Doors (written by the remaining members of the band) in which they claim Morrison had been coughing up blood for nearly two months in Paris, but none of the members of The Doors were in Paris with Morrison in the months prior to his death. According to a Madame Colinette, who was at the cemetery that day mourning the recent loss of her husband, she witnessed Morrison's funeral at Père Lachaise Cemetery. The ceremony was "pitiful", with several of the attendants muttering a few words, throwing flowers over the casket, then leaving quickly and hastily within minutes as if their lives depended upon it. Those who attended included Alain Ronay, Agnes Varda, Bill Siddons (manager), Courson, and Robin Wertle (Morrison's Canadian private secretary at the time for a few months). In the first version of No One Here Gets Out Alive published in 1980, Sugerman and Hopkins gave some credence to the rumor that Morrison may not have died at all, calling the fake death theory “not as far-fetched as it might seem”. This theory led to considerable distress for Morrison's loved ones over the years, notably when fans would stalk them, searching for evidence of Morrison's whereabouts. In 1995 a new epilogue was added to Sugerman's and Hopkins's book, giving new facts about Morrison's death and discounting the fake death theory, saying “As time passed, some of Jim and Pamela [Courson]'s friends began to talk about what they knew, and although everything they said pointed irrefutably to Jim's demise, there remained and probably always will be those who refuse to believe that Jim is dead and those who will not allow him to rest in peace.” Morrison's grave at Père Lachaise (August 2008) In July 2007, Sam Bernett, a former manager of the Rock 'n' Roll Circus nightclub, released a (French) book titled "The End: Jim Morrison". In it Bernett alleges that instead of dying of a heart attack in a bathtub (the official police version of his death) Morrison overdosed on heroin on a toilet seat in the nightclub. He claims that Morrison came to the club to buy heroin for Courson then did some himself and died in the bathroom. Morrison's body was then moved back to his rue Beautreillis apartment and dumped into the bathtub by the two drug dealers from whom Morrison had purchased the heroin. Bernett says those who saw Morrison that night were sworn to secrecy in order to prevent a scandal for the famous club, and that some of the witnesses immediately left the country. There have been many other conspiracy theories surrounding Morrison's death but are less supported by witnesses than are the accounts of Ronay and Courson.
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I just received the new release (to be released April 9, 2013), Split Second, from Nicole Hart and Anni Piper and it's quite good! The release opens with a vocal duet rhumba, Can't Let You Go. This track has a good beat and you can dance to it... I mean John Ginty plays a cool organ part on an otherwise primarily radio oriented track. Up next is Clap Your Hands, along the lines of Ray Charles' What I Say. Ron Rauso plays a hot guitar riff on this track and Ginty takes a nice piano and organ solo as well, all driven by the hot shot drumming of Sim Cain. Ain't Nobody Watchin' slows the train down a bit and Sandy Mack steps up on harp. Piper sings nice lead on this track with heavy support from her bass. The Classic rockabilly track, Dream Baby, is covered here very nicely by the duo. Rauso and Ginty take turns throwing a riff into the mix on this track. On You Can't Make Somebody Love You, rich vocal treatment and a swampy spiritual arrangement make this a really strong track. Sugar Ray Norcia's Why Should I Feel So Bad fits really nicely into this set with some of the best vocal work on the recording. Ginty opens up the organ for a nice solo and Rauso plays a really soulful guitar solo as well. Great job! Bad Side Baby takes a trip to Chicago and both Rauso and Mack play smokin' riffs keeping the iron hot. An old Stax track, What Will Later On Be Like, really opens the doors to another sound. This is really soulfully done duet is another vocal highlight of the release. Rauso plays very "Stax like" guitar work on this track and you think the clock is wound back. Really nice! Janis Joplin's One Good Man, is a cool track to set up for this band. Again, Rauso captures a bit of the frantic playing style of the original recordings and Hart and Piper blend nicely. The duet calls up the Everly Brothers (in spirit) on Walk Right Back. Want a trip down Americana ... this is it! Juke Joint Jonny plays a track appropriate guitar solo keeping in balance with the recording. Original Hart track Listen To The Rain Fall, is a really sweet conclusion to the release. Hart's solo vocal against light guitar chords played through heavy tremolo and with a solitary harp the effect is just magic. This is a cool release with a lot of meat for the listener looking for more more polish and vocals and less grit and guitar.
