Thursday, June 7, 2012

Boogie Woogie - Meade Lux Lewis


Meade Lux Lewis (September 1905 – June 7, 1964) was a American pianist and composer, noted for his work in the boogie-woogie style. His best known work, "Honky Tonk Train Blues", has been recorded in various contexts, often in a big band arrangement. Early recordings of the piece by artists other than Lewis include performances by Adrian Rollini, Frankie Trumbauer, classical harpsichordist Sylvia Marlowe, theater organist George Wright (with drummer Cozy Cole, under the title "Organ Boogie"), and Bob Zurke with Bob Crosby's orchestra. Keith Emerson of Emerson, Lake & Palmer often included it in his repertoire and recorded it in 1972.
Lewis was born Meade Anderson Lewis in Chicago, Illinois, United States, in September 1905 (September 3, 4 and 13 have all been cited as his date of birth in various sources). In his youth he was influenced by the pianist Jimmy Yancey.

A 1927 rendition of "Honky Tonk Train Blues" on the Paramount Records label marked his recording debut. He remade it for Parlophone in 1935 and for Victor in 1937 and a recording exists of a Camel Caravan broadcast, including "Honky Tonk Train Blues" from New York City in 1939. His performance at John Hammond's historic From Spirituals to Swing concert at Carnegie Hall in 1938 brought Lewis to public attention. Following the event, Lewis and two other performers from that concert, Albert Ammons and Pete Johnson often appeared as a trio and became the leading boogie-woogie pianists of the day.

They performed an extended engagement at Café Society, toured as a trio, and inspired the formation of Blue Note Records in 1939. Their success led to a decade long boogie-woogie craze. with big band swing treatments by Tommy Dorsey, Will Bradley, and others; and numerous country boogie and early rock and roll songs.

He became the first jazz pianist to double on celeste (starting in 1936) and was featured on that instrument on a Blue Note quartet date with Edmond Hall and Charlie Christian. Lewis also played harpsichord on a few records in 1941. After the boogie-woogie craze ended, Lewis continued working in Chicago and California.

Lewis appeared in the movies New Orleans (1947) and Nightmare (1956). Uncomfortable typecast as a boogie-woogie and blues pianist, Lewis spent his later years playing rags and old-time pop songs.[2] He also appeared, uncredited, in the movie It's a Wonderful Life, playing piano in the scene where George Bailey gets thrown out of Nick's Bar.

Lewis died in a car accident in Minneapolis, Minnesota on June 7, 1964, aged 58.
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Tore Down/ Pack Fair and Square - Nine Below Zero


1977-78 As punk hits the UK, Dennis Greaves and Mark Feltham form Stan’s Blues Band. They quickly develop a reputation as an excellent high energy live act.
1979 The band find management after a blistering show at The Thomas A Beckett pub, Mickey Modern, an artist with A&M. This swiftly promotes a change of name, one that preserves the Blues flavour and in tribute to Sonny Boy Williamson the guys adopt one of his song titles and are renamed Nine Below Zero.
1980 NBZ sign to A&M Records and give up their day jobs! On July 16th, they release their first album, Live At The Marquee. A&M boss Derek Green books the Hammersmith Odeon for a headline gig. It sells out. The band takes just one week off this year.
1981 Second album Don’t Point Your Finger - their first studio outing, produced by the legendary Glyn Johns. Album enters charts twice, remaining there for five weeks. NBZ play with The Who and The Kinks, and make TV appearances on The Old Grey Whistle Test, and the South Bank Show with Dr Feelgood and The Blues Band.
1982 Nine Below recording at Glyn Johns’ studio in West Sussex. The classic 11+11 is written here. NBZ appear on the first episode of BBC-TV’s anarchic comedy hit The Young Ones, performing 11+11. The new LP is completed with producer Simon Boswell and becomes Third Degree, with the legendary British photographer, David Bailey taking the photos for the cover. Probably the most under-rated NBZ album, it fails to deliver the progress the band is expecting and results in a ’time out’ for the boys.
1983- 1989 Dennis forms soul/pop outfit The Truth – keeping him busy for the rest of the 80s, producing two Top 20 singles in the UK and a Top 5 R&B hit in the US. Mark Feltham, having earned a high reputation as a harmonica player, enters the session world.
1990 10th Anniversary sold-out gig at London’s Town and Country Club. The public welcomes back NBZ with open arms, sell-out UK tour follows.
1991-93 NBZ sign to China Records. On The Road Again recorded and released in April ’91. Band tour for rest of year, establishing them once again as a top live act in the UK and Europe. Off the Hook released, getting rave reviews. Band secures support slot on Sting’s European tour.
1994 NBZ invited by Eric Clapton to join him at The Royal Albert Hall, playing the whole Twelve Nights and going down a storm. Long-time NBZ fan Ray Davies books the band for his UK tour, including a date at Wembley Arena. Brian May invites the band to play six shows during his UK solo tour.
1996 NBZ release Ice Station Zebro’. With several tracks co-written with Nik Kershaw, the album is regarded as the best they have recorded up to this point. The band are invited by Bruce Willis to play with him at Planet Hollywood in London after the premiere of Twelve Monkeys.
1997 Nine Below Zero form their own record company, Zed Records.
1998 NBZ tour Bangladesh. They take to their task with relish(!), making many friends along the way. Even in Dacca they want to learn to play Hideaway like Freddie King! Work starts on Refrigerator album, NBZ record a single for first National Curry Day with Indian artist Bappi Lahri.
1999 NBZ license A&M back catalogue to Zed Records, releasing Live at the Marquee on CD for the first time. Work on Refrigerator finished.
2000 NBZ spend the year touring Refrigerator. With 11 self-penned songs, it’s critically acclaimed by MOJO magazine. Band celebrates 20th anniversary of Live at the Marquee with two stunning shows back at The Thomas a Beckett. Don’t Point Your Finger released for first time on CD.
2001 Third Degree released early in the year. Live work and interview requests flood in. The band work constantly for the next 18 months.
2002 - 2003 On The Road Again DVD released in May, complete with interviews and a two-hour concert. Acoustic album ‘Chilled’ released - NBZ set off around Europe to tour the album.
2004 NBZ play legendary Pistoia Blues Festival in Italy. They record Hats Off, a truly analogue blues record, where the guys pay tribute to some of the great blues artists they love so much. Recorded at Ray Davies’ Konk studio in London - Ray regularly pops in to see his old mate Dennis. The band takes off for more touring around Europe.
2005-6. Two sold-out shows at The 100 Club on London’s Oxford Street. Gigs in former Yugoslavia take the blues to places that other bands fail to reach. Nine Below Zero are by now regarded as a truly international act.
2007 Two acoustic concerts, producing the DVD Bring It On Home, including a live CD. Rave reviews. Gary Moore joins the boys on stage to promote BIOH.
2008 NBZ open for Chuck Berry at The 100 Club. Work starts on It’s Never Too Late! - the first collection of new songs since Refrigerator.
2009 The band start working towards a show to celebrate the 30th anniversary of the release of their debut album, Live At the Marquee.
2010 arrives and a chance meeting with Glenn Tillbrook from Squeeze results in an offer to record a new record that Dennis and Mark had been busy writing all year, the offer was gladly accepted and the band go into 45 RPM studios in London to record the highly acclaimed and self-penned 'It's Never Too Late' tours followed in wider Europe and Jools Holland and Paul Jones ask the band to guest on their shows.
2011 With the critical acclaim of 'It's Never Too Late' ringing in the bands ears they are approached by Glenn Tillbrook again, but this time to make a new record together under the name of the Co-operative. All is finished in July of 2011 and one track, The Lennon McCartney song 'You Never Gave Me Your Money' is used on a Mojo magazine special celebrating the 40 year anniversary of the release of the Beatles record 'Abbey Road'. The band play a selected few dates with Glenn as a taster for what will follow in 2012 as a mini tour.
The end of 2011 sees Gerry McAvoy play his last show for NBZ and pursue a new solo career.
2012 sees the return of Brian Bethell who played on 'Third degree' and who was a natural replacement. The band set off in January to take their music to the people who they call their extended family and kick off with shows in Germany, Switzerland and Austria. Nine Below Zero now enter their 35th year together and are just as vibrant and unpredictably brilliant as they have always been. 2012 is going to be a great year for the band, they hope to see you somewhere soon in a town near you.
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Ray Ja Vu - Josh Kirkland


"A Georgia boy with a Texas swing" "kickin' guitarist and stirring lyricist, revealing his fervor and tenacity to the world." -Hittin' The Note Magazine..

From the swamps of southeast Georgia, born in Waycross, and raised on Southern Rock and Blues. Josh Kirkland still calls his Mother "Mama" and speaks with a cool softness, not only is he a southern gentleman, he is one intense guitarist. 2003-2004 Josh performed select shows nation wide as a tribute to blues guitar legend Stevie Ray Vaughan.

"The House is a rockin' when this tribute to the late, great Stevie Ray Vaughan sets to Scuttle Buttin'." -Guitar One Magazine, April 2004

Josh Kirkland was selected as one of the Top 5 Finalists in the worldwide "Blues Idol" competition in 2005. Josh Kirkland's first studio release "Blues Fallin' Down Like Rain" is a six string odyssey, full of searing guitar riffs & soulful deep southern rooted vocals. You hear all of the influences, but there is more. Josh has evolved his own distinctive style. Truly, Kirkland is the type of player that has to be seen.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Devils Wife - Ladell McLin


Ladell McLin is a multifaceted artist who embraces in itself all of Afro American Roots music through the prism of his birthplace: the Blues.
Born in the South Side of Chicago, known as the birthplace of Chicago Blues, Ladell learned music very young and, among others, the blues influence throughout his career.

Close to the big names of Chicago Blues, Ladell began playing at the legendary club Buddy Guy's Legends with musicians like John Primer. Ladell later became the guitarist for artists like James "Blood" Ulmer. McLin in 2005 released his first studio album, "Stand out" working with Vernon Reid (Living Colour) and David Johansen (The New York Dolls).

Ladell has the ability to allow listeners to understand the influence of blues on all modern musical genres. So he navigates the traditional blues of Muddy Waters and Stevie Ray Vaughan to soaring rock of Jimi Hendrix, White Stripes or the Black Keys, while making forays into the soul or hip-hop, as evidenced by its collaboration with DMC .

This ability has not gone unnoticed by the French director, Michel Viotte that followed Ladell across the U.S. in his documentary, "On The Road From the Blues with Ladell McLin. This documentary, broadcast on France 5 in the show "Beautiful Escapes," shows the influence that blues has had on American culture by following Ladell on a musical journey from Chicago to New Orleans. This documentary was released on DVD in November 2010 Naïve / Eagle Vision.

In 2011, Ladell hopes to invest the European stage. It is already programmed for 2011 Festival Sons d'hiver in January, but the festival Avoine Zone Blues or famous Montreux Festival next summer.
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I Know Jesus Has Never Left Me Alone - Cleo & Howard Williams

Little is known about the gospel duo of Cleo and Howard Williams.Bengt Ollson, a young Swedish blues enthusiast, made the recordings found here during his extensive travels throughout the Deep South in the late '60s and early '70s.
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Ironing Board Sam - a song a day, for life

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A Recording session with Ironing Board Sam

Sam Recording Session
On the final day of May, Ironing Board Sam recorded new tracks in the former Music Maker studios. The room was bare, except for rolled up rugs, stray guitars, and packed bags. Sam said he wasn't dressed up, but he still had that music star thing about him being dressed in all black with a fedora on top. It takes two large steps to get into the now old studio. Sam groaned as he made his first step up and then with his second groan; I swear he sung it. Tim Duffy, Aaron Greenhood, and myself were present for this recording session in the early afternoon.

Sam brought in a recording device that he uses to record his rehearsals, along with other bouts of musical inspiration. Once Sam received this recording device and learned how to use it, he decided he's going to write and record a song a day, for the rest of his life. He said if can't record them all, he'll give them to Music Maker for us to use however we need to.

That day, Sam performed new songs one after another. The first was titled Country Boy, and the second was Chill Bumps.

After we finished recording five new tracks, Sam said: "They come to me everyday."

That's why it's great that he has his recording device, so that every musical twinge he has is on record. We can't wait to hear what Sam writes next.

Mike Capodiferro is a Music Maker summer intern helping us with everything from writing to running shows. Mike is a Dramatic Writing and Literature major at Hampshire College.

Diggin': Yo-Yo

Willa Mae and snakeSome of the best Music Maker stories include Willa Mae Buckner, "the snake lady." When visitors come to MM's offices, I always enjoy pointing out the photo of elderly Willa Mae with her giant albino snake - she is one of the artists who have passed that I really wish I had gotten to know. In her youth she was a touring performer, doing everything from singing blues to eating fire. Her fierce independence continued into her later years, when she would be the one up on stage singing the risque tunes to the delight of audiences.

Her song "Yo-Yo" is, I am sure, mild compared to some of the bawdy tunes she sang in juke joints during her time, but I love its upbeat, tongue-in-cheek spirit. It's great to listen to when you want to smile!

Enjoy!

-- Corinne
Music Maker on the road this weekend:

Pat Cohen
This weekend is a busy one for Music Maker Artists! Supporters like you enable MM to book artists at gigs around the country, at prestigious venues like The Hamilton in Washington, DC!

Friday, June 8: Captain Luke, Cool John Ferguson, and John Dee Holeman kick of the Music Maker Relief Foundation's first Roots and Leaves Series in Chapel Hill, NC.

Friday, June 8: Ironing Board Sam, Big Ron Hunter, Pat "Mother Blues" Cohen will play The Loft at The Hamilton in Washington, DC.

Friday, June 8: The Branchettes will perform at the opening concert for the Music Academy of the American South in Winston-Salem, NC.

Saturday, June 9: The Music Maker Blues Revue, featuring Ironing Board Sam, Big Ron Hunter, Pat "Mother Blues" Cohen and Sol play theTinner Hill Blues Festival in Falls Church, VA!

Listen:

Willa Mae Buckner - Yo-Yo

Essie Mae and Daughter
Essie Mae Brooks and her daughter at the Apollo Theater
by Aaron Greenhood

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Upcoming Shows: Click here for more info on upcoming events
6/08 - The Branchettes and Bishop Dready Manning - The Music Academy of the South, Winston-Salem, N.C.
6/08 - Pat "Mother Blues" Cohen, Ironing Board Sam and Big Ron Hunter - The Hamilton, Washington, D.C.

6/08 - Captain Luke, Cool John Ferguson, John Dee Holeman - Music Maker Roots and Leaves, Chapel Hill, N.C.

6/09 - Music Maker Revue - Tinner Hill Music Festival, Church, V.A.

6/15 - Boo Hanks - Music Maker Roots and Leaves, Chapel Hill, N.C.

6/22 - Pat "Mother Blues" Cohen, Essie Mae Brooks - Music Maker Roots and Leaves, Chapel Hill, N.C.

6/27 - Beverly "Guitar" Watkins - Sweet Georgia Juke Joint

6/29 - Pura Fé Trio, Lakota John Locklear - Music Maker Roots and Leaves, Chapel Hill, N.C.

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Music Maker Relief Foundation, Inc. helps the true pioneers and forgotten heroes of Southern music gain

recognition and meet their day to day needs. We present these musical traditions to the world so American culture will flourish and be preserved for future generations.



If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Robert Cray - EPK!


THE ROBERT CRAY BAND

“NOTHIN BUT LOVE”


The brand new studio album produced by Kevin Shirley

UK release date: 27th August 2012

Five-time Grammy award winning legend and Blues Hall of Fame Inductee Robert Cray is pleased to announce that his brand new studio album Nothin But Love will be released in the UK by Provogue Records on Monday August 27th.

Produced by Kevin Shirley (Joe Bonamassa, Aerosmith, The Black Crowes), the ten-song album includes material written by all four Robert Cray Band members; Robert Cray (vocals/guitar), Jim Pugh (keyboards), Cray Band co-founder Richard Cousins (bass) and Tony Braunagel (drums). The new album blends blues, rock, soul and jazz, with a lyric-sheet that examines the triumphs, fallouts and follies of love.

Nothin But Love is Cray’s sixteenth studio album and marks the latest milestone in a career that has produced 15 Grammy award nominations (5 wins), over 12 million record sales worldwide, thousands of sold out concerts across the globe, and even his own signature line of Fender guitars.

Produced with what Shirley refers to as “the dirt under the fingernails,” Nothin But Love was recorded live over two-weeks at the Revolver Studios in LA. The album features the soaring break-up blues of Won’t Be Coming Home, the jazz chops of I’ll Always Remember You, the soul-drenched ode to repossession that is Great Big Old House and the frantic ’50s-flavoured rocker Side Dish.


ROBERT CRAY – NOTHIN BUT LOVE

ALBUM TRACKLISTING

01 – (Won’t Be) Coming Home

02 – Worry

03 – I’ll Always Remember You

04 – Side Dish

05 – A Memo

06 – Blues Get Off My Shoulder

07 – Fix This

08 – I’m Done Cryin’

09 – Great Big Old House

10 - Sadder Days

Since the release of his 1986 break-out album Strong Persuader, Cray has been Blues rock royalty. He has performed and recorded alongside the best in the business - from Eric Clapton to Stevie Ray Vaughn, from Bonnie Raitt to John Lee Hooker. Cray was recently inducted into the Blues Hall of Fame at the age of 57; making him the youngest living legend to receive the prestigious honour.

ROBERT CRAY - ESSENTIAL WEB LINKS

Robert Cray – Official Website

www.robertcray.com

Robert Cray – Official Facebook

www.facebook.com/robertcraymusic

Mascot Label Group – Official Website

www.mascotlabelgroup.com

For interview opportunities and album review copies:

Will Taylor and Peter Noble at Noble PR

0207 272 7772, will@noblepr.co.uk, peter@noblepr.co.uk


Me And The Devil - Rainer Ptacek


Rainer Ptacek (June 7, 1951 – November 12, 1997) was a Tucson, Arizona based guitarist and singer-songwriter. His guitar technique, which incorporated slide, finger-picking, tape loops and electronic manipulation, earned him admiration of some notable musicians such as Robert Plant and Billy Gibbons. A tribute album to Ptacek, The Inner Flame, included contributions by Plant, Jimmy Page, PJ Harvey, Emmylou Harris and others, and was indicative of his reputation as a "musician's musician". He was diagnosed with a brain tumor in early 1996 and died nearly two years later after the illness recurred
Ptacek was born in East Berlin to a family of Czech and German descent. His family fled East Germany for the United States when he was five years old. They eventually settled in Chicago, where young Ptacek was first exposed to blues music. He moved to Tucson in the early 1970s, where he began his own musical career, most often solo, but sometimes he plugged in and led a trio as Rainer & Das Combo. He co-founded Giant Sandworms with Howe Gelb in the late 1970s. When the band decided to move to New York, he opted to stay in Tucson to make sure that he would not disrupt his then-new family. Although he never became well known in the United States, he became more and more recognized in Europe. Billy Gibbons was so impressed with the singer-guitarist that he arranged to have Kurt Loder review Ptacek's "Mush Mind Blues" cassette in Rolling Stone. Robert Plant, similarly impressed, flew Ptacek to England for the sessions for B-sides to supplement the singles from Fate of Nations
He was diagnosed with a brain tumor and lymphoma in February 1996. He did not have medical insurance and his bills were mounting. Howe Gelb and Robert Plant organized sessions for a charity album. The resulting record, The Inner Flame: Rainer Ptacek Tribute, featured Ptacek-penned songs performed by Gelb (with Giant Sand), Plant, Jimmy Page, Emmylou Harris, Evan Dando, Victoria Williams, Vic Chesnutt, PJ Harvey, The Drovers, Madeleine Peyroux, Kris McKay, Jonathan Richman and Bill Janovitz. Ptacek is a participant on most of the tracks.

Intense chemotherapy sessions put his tumor into remission and Ptacek resumed his concert activity vigorously, beginning with a guest performance at Greg Brown's show in November 1996. By this time, media attention was more focused on him than ever before. Just when it seemed as though he had beaten his disease, it recurred in October 1997, and he died three weeks later at age 46.
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Funky Tonk - Miles Davis


Michael Henderson (born in Yazoo City, Mississippi, 7 July 1951) is an American bass guitarist and vocalist best known for his bass playing with Miles Davis in the early 1970s, on early fusion albums such as A Tribute to Jack Johnson, Pangaea, and Live-Evil.
He was one of the first notable bass guitarists of the fusion era as well as being one of the most influential jazz and soul musicians of the past 40 years. In addition to Davis, he has played and recorded with Marvin Gaye, Aretha Franklin, Stevie Wonder, the Dramatics, Doctor John and many other famous artists. He is considered to be one of the three greatest Motown bass guitarists, along with Bob Babbitt and his primary influence, James Jamerson.

Before working with Davis, Henderson had been touring with Stevie Wonder, whom he met at the Regal Theater in Chicago while warming up for a gig. Davis saw the young Henderson performing at the Copacabana in New York City in early 1970 and reportedly said to Wonder simply "I'm takin' your bass player."
After almost seven years with Davis, Henderson focused on songwriting and singing in a solo career that produced many hit songs and albums for Arista Records until his retirement in 1986. Although known primarily for ballads, he was an influential funk player whose riffs and songs have been widely covered. His solo recordings have sold well over one million albums.[citation needed] A track titled "Wide Receiver" on an album of the same name is highly favored by breakdancers.[1] The album was reissued by Superbird (UK) in November 2010 and a compilation titled The Best of Michael Henderson features the "Wide Receiver" song.
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The Geoff Everett Band


Geoff Everett is a lead rock/blues guitarist and lead vocalist/frontman based in the South East of England. He has long been known in the music industry for his unique mastery of the Electric guitar bringing with it highly advanced and emotive styles of on the spot improvisation (soloing). (He also plays slide guitar, harmonica and mandolin on his live and recorded performances).
Everett started playing guitar and singing when he was 13. and started gigging straight away at parties, local dances, etc. with his first group, The Reminiscents, formed with school mates, Gary Pantry and Lee Abbott (now with international folk rock outfit Magna Carta (band)). In 1967, Everett joined the Chicago Line Blues Band - a semi pro band (nurtured under the auspices of Blue Horizon's Mike Vernon (producer) and Dick Vernon) and played prestigious clubs such as the Eel Pie Island blues venue in Twickenham, London supporting and sometimes jamming with the likes of Keef Hartley, Art Wood (Ronnie's brother), Ritchie Blackmore, etc.

A band from Earls Court came next in 1969 with Colin Solman on drums (coincidentally later with Screaming Lord Sutch) but their lack of ambition caused Everett to split and try a project with Alan Lancaster from Status Quo. Quo had a sudden change in fortune when they switched from pop to rock and Alan was whisked off. The rest of the band were taken under the wing of George Young (rock musician) and Harry Vander from The Easybeats. George and Harry's time and energy, though, had to be consumed by a band formed by George's brothers - Angus and Malcolm, now a household name – AC/DC
The early 1990s saw Everett forming a rock, funk outfit called The Absolute who gathered a large following at their performances and the late 1990s saw Everett touring with a band called 'A Band Named Sioux', The Cruising Mooses and The Rob King Band. It was not long until Everett returned to fronting his rock and blues with the return of The Mosquitoes under the moniker The Fabulous Mosquitoes. The current incarnation of Everett's rock and blues outfit is 'The Geoff Everett Band' with bassist Kevin Dore and various high profile drummers such as Paul McCartney's drummer Paul Robinson and Sam Kelly from The Gary Moore Band. On their website you will find the following quote:

Geoff Everett is a guitarist and vocalist with stunning style. His playing is aggressive and beautiful with imaginative dynamics and articulate grammatical soloing. His performance is gutsy and very exciting. In addition to powerful vocals, Geoff also offers up stunningly exciting slide guitar work as well as mandolin, keyboard and harmonica. He writes and records in his own professional studio. Geoff is widely regarded in Europe and the UK as one of the finest performers and most innovative blues guitarists around today.

Everett can be found on Kent County Council's Kent TV where Everett's unique soloing can be seen. Kent TV also broadcasted a sample of an early Geoff Everett Band international gig in Meteor, Greece. His band are also heard from time to time on America’s Texas Blues Café radio station and their podcast website. In 2009–2010, The Geoff Everett Band performed in the UK, Greece, France and Holland. In 2011 The Geoff Everett band released their album 'Adult Show' while continuing to perform. Currently (2012) The Geoff Everett Band are recording a further studio album that features Brendan O'Neill (Rory Gallagher/Nine Below Zero) on drums and Mollie Marriott (vocals), daughter of Small Faces' Steve Marriott.
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Wednesday, June 6, 2012

I Don't Know But I Gotta Go - Beautiful Bobby Blackmon


Beautiful Bobby is an excellent veteran entertainer who specializes in contemporary southern soul/blues & classic r&b music. His band is the premier choice in Central Florida for private parties, festivals and nightclubs. You'll be sure to enjoy one of the best live shows in the business when you hire Beautiful Bobby Blackmon. Bobby's career began in the Southwest not far from the Dallas, Texas area in a small town, Athens, Texas. He played in many house bands and worked as a sideman with many well known blues & r&b acts before making his home base in Central Florida. For the last 3 1/2 years he has appeared at the BB King's Club in Orlando, Fl on Sunday and Monday nights. Starting in June 2010, he works Monday and Tuesday nights at the BB King's Club. June 2011 - New CD on Pick To Click on XM 70 Radio March 2011, new CD - Yeah Baby-Chillin With The Blues May 2010, he open for his idol, BB King in Orlando, May 2010, headliner for Mt Dora Blues Festival. July 2008, he was the headliner for the Cape Fear Blues Fest in North Carolina June, 2006, he gained many new fans when he opened for Buddy Guy at the House of Blues-Orlando. September, 2006 he performed as headliner with Debbie Coleman at the Ft. Pierce Jazz/Blues Festival. Also in 2006 he headlined the annual New Smyrna Beach Jazz/Blues Fest. Other venues he has worked as a headliner include: BB King's Clubs - Orlando & West Palm Beach,l Lou's Blues Club - Indialantic, Fl Riverwalk Blues Fest – Ft. Lauderdale, Fl Cape Fear Blues Fest-Wilmington, NC Kissimmee R&B Fest –Kissimmee, Fl HOB-Blues Kitchen-Lake Buena Vista, Fl Orlando Blues Fest-Orlando Fl Gainesville Downtown Blues Fest-Gainesville, Fl Ocala Downtown Music Fest – Ocala, Fl Leesburg Mardi Gras-Leesburg, Fl Leesburg Bikefest-Leesburg, Fl Lakeridge Winery-Clermont, Fl Lake Mary Jazz Fest-Lake Mary, Fl San Sebastian Winery-St. Augustine, Fl Back Room Blues Bar-Boca Raton, Fl Dexter's-Winter Park, Fl Bradfordville Blues Club-Tallahassee, Fl Ft. Pierce Jazz/Blues Society Annual Bash His 2011 CD titled, Yeah Baby-Chillin With The Blues, has 12 songs with 10 originals recorded with his working band. Sound samples at www.cdbaby.com/cd/beautifulbobbyblackmon His 2006 CD titled, Travelin' Home, has 12 songs with 10 originals written by Bobby. Check out his website at www.cdbaby.com/bbb2 to hear sound samples. See live performances on Youtube.com For your next event, call on Beautiful Bobby Blackmon.
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Mississippi Woman - Stu Heydon Blues Band with Sheryl Rouse


Stu Heydon, blues guitarist, has been playing professionally since 1966. He has played with a multitude of bluesmen and has toured the U.S. and Canada with the likes of George "Wild Child" Butler, Bobo Jenkins, Lowell Fulsom, and Sam Lay before coming to the Monterey Peninsula, CA, where he now resides, performs, and teaches locally. Among his awards received are the Carmel Rotary Club Paul Harris Award for teaching the blues in Carmel, CA and a Lifetime Achievement Award from the Motor Cities Blues Awards-Windsor/Detroit, as well as being voted Windsor's Best Guitarist. His live performances over the past thirty years have included the Chicago Blues Festival, Buddy Guy's Legends, and the House of Blues.

Having taught blues most of his life, Stu's career of teaching blues to the Monterey Peninsula began when he started the music program at the Carmel Youth Center, founded by Bing Crosby in 1949. Currently, he can be found at Carmel Music Studio, which he owns and operates, located in The Barnyard in Carmel, CA. Stu's latest cd, When Worlds Collide, features Mike Branton on guitar, Celso Aberti on drums, Dewayne Pate on bass, Michael Martinez/Denis Keldie on keyboards, and Les Smith on harmonica.
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Wee Wee Hours - Mike Branton


After making a name for himself as a young guitar prodigy in the Southern
Ontario region,Mike Branton has evolved into a triple threat.
His signature fluent and exciting guitar playing is as potent as
ever.Alex Erasmi(View Magazine) described it as “Michael Bloomfield
meets T-Bone Walker at a Buddy Guy concert style of playing”,adding
“continually inventive improvisational soloing” in a View Magazine
feature article. Mike has now emerged as a highly talented and original
singer and songwriter as well.

The Oakville-based Branton is not just borrowing from the classic blues
repertoire but adding to it in the form of original compositions. His
talent as a singer/songwriter was showcased on his 2001 solo debut,
Dirty Feet.In a review of Dirty Feet Warren Dallin wrote.”In short, this
disc defines the blues”.

In the studio for Dirty Feet.

Since then, Mike has been honing his songwriting chops, and is currently
in the studio recording a keenly-anticipated new album.
Branton first picked up the guitar at age nine, primarily learning by
ear. “I’d try to pick things up off the radio or from albums,” he
recalls. As a teenager he studied guitar under Justin Abedin(Jacksoul)
who introduced Mike to numerous styles and approaches to music
outside of and directly related to Blues music.

The appetite of the musically voracious younger Branton was fed with
the likes of records from the early British blues boom (Peter Green,Jeff
Beck,The Animals) as well as pioneers :Albert King, Muddy Waters, and
John Lee Hooker. “As I got older the guys I started to gravitate towards
were like Buddy Guy, Otis Rush, Magic Sam, and Luther Tucker, the
disciples of the big guys. I liked the younger guys for their attitude”.
Like any other blues-loving kid Jimi Hendrix had a predictable impact.
“After you hear him you just realize you have to keep trying and hope
for the best,” he says.
photo: Dave Woods

photo: Dave Wood

At 17, and still in high school, he began playing in blues-rooted bar
bands, his skills having caught the ears of older players. One such
musician was Stu Heydon, described by Branton as “my mentor.He
was the first one to take me on the road, and through him I got to
meet a lot of Chicago and Detroit area blues guys.”

By the mid ‘90s, Mike was touring Western Canada with Stu Heydon&
The Blues Persuaders,as well as backing up blues legends
George”Wildchild”Butler,Chicago Pete,and Zoom at the Heydon produced
Carmel Rotary Soul & Blues Review 97-99 in Carmel,California.
A real confidence boost came on a visit to the blues mecca of Chicago,
as Mike reminisces. “I hit the open stage at Buddy Guy’s club, and they
wouldn’t let me off. One of the guys there was Koko Taylor’s guitar
player, and he kept calling me back up!”

Fronting his own bands helped Branton,now 35 discover his own voice as
both a blues singer and songwriter. “I don’t think I found the beginning
of my groove until I was about 22,” he recalls. “That’s when I thought
to myself ‘it’s time to get serious.’ You can only be a guitar player in
a blues band for so long before you have to bring something else to the
table. You have to be able to sing and to carry a night by yourself”.
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Soul-Blues Singer Lou Pride Passes; His Final CD, "Ain't No More Love in This House," To Be Released in the Fall


SOUL-BLUES SINGER LOU PRIDE PASSES

HIS FINAL CD, AIN’T NO MORE LOVE IN THIS HOUSE, TO BE RELEASED IN THE FALL

CHICAGO, IL – Another classic soul-blues voice has been stilled with the announcement today of the passing of Severn Records artist, Lou Pride, who died in his hometown of Chicago last night (June 5) of natural causes while in hospice care. Pride had undergone numerous medical challenges for many years, having suffered several heart attacks and additional circulatory problems. Funeral arrangements have not been announced.

“It is with deep sadness that we announce the passing of the great soul singer Lou Pride,” said Severn Records President David Earl. “Lou lived his life through his music and through the belief that love is always the solution to any worldly problems. It was an honor to know him, call him my friend and to have the opportunity to document his music. We will miss him.”

Over the course of many months last year and into early 2012, Lou Pride had been recording a new album for Severn Records, and that CD, Ain’t No More Love in this House, will be released in the fall. Lou Pride’s powerful soul-drenched voice will be heard on a number of new songs, as well as an amazing version of the Simply Red classic, “Holding Back the Years,” which will leave an indelible legacy of the artist’s career.

Severn Records released three prior CDs on Lou Pride, including Words of Caution in 2002 and Keep on Believing in 2005, as well as compilation of some of his greatest early singles and unreleased tracks, titled The Memphis/El Paso Sessions (1970-73). That CD included a number of tracks recorded at Willie Mitchell’s famous Royal Recording Studios in Memphis and featured him backed the Hi Records house band of Teenie Hodges (guitar) Charles Hodges (organ), Leroy Hodges (bass) and Howard Grimes (drums), along with the Memphis Horns and Memphis Strings.

Although not as widely known as some of his contemporaries, such as Bobby “Blue” Bland, Little Milton and Johnnie Taylor, Lou Pride’s talent and soulfulness were the equal of any of those iconic singers. He was known for his electrifying live shows and a vocal delivery that went from a whisper to a commanding growl.

Born George Lou Pride on May 24, 1944 in Chicago, he grew up on the Windy City’s north side and first experienced singing gospel music, attending the Baptist Church pastored by Nat King Cole’s father. Watching a live B.B. King performance converted Pride, however, and he was soon on his way singing soul and blues on the Chitlin' Circuit throughout the South and Midwest. His first acclaimed singles were recorded in the early ‘70s while living in El Paso, Texas, and he soon relocated to New Mexico. He toured early on with such artists as B.B. King, Clarence Carter, Betty Wright, Koko Taylor and Kool and the Gang.

After returning home to Chicago, he was introduced to the great Curtis Mayfield, who recorded him for his Curtom Records label. He later recorded for a number of other labels, including several albums for Ichiban in the ‘90s before hooking up with Severn Records at the turn of the 21st century.

Blues-Rock Singer Cee Cee James Set to Release New CD, "Blood Red Blues," on July 17


BLUES-ROCK SINGER CEE CEE JAMES SET TO RELEASE NEW CD, BLOOD RED BLUES, PRODUCED BY GRAMMY-WINNER JIM GAINES, ON JULY 17

ST. LOUIS, MO – Blues-rock singer Cee Cee James announces a July 17 release date for her new album, Blood Red Blues, produced by Grammy-winner Jim Gaines, on July 17. Blood Red Blues will be released on her own imprint, FWG Records, with international distribution by Burnside Distribution.

Blood Red Blues is the fourth CD from the St. Louis-based singer, whose powerfully soulful vocals have already created a lasting impression on audiences and critics alike all over the world. Producer/engineer/mixer Jim Gaines (Stevie Ray Vaughan, Santana, Luther Allison), who tracked the sessions at his Bessie Blue Studio in West Tennessee, perfectly captures all the exciting elements of Cee Cee’s vocal style on the new album, creating a sound that is both vulnerable and passionate, igniting the songs with a burning, sensual yearning that drives home the dozen all-original songs.

Backing Cee Cee on Blood Red Blues are Rob “Slideboy” Andrews on rhythm and slide guitar, Rocky Athas on lead guitar, Chris Leighton on drums, Dan Mohler on bass and Susan Jillian on keyboards, along with vocal backing from Stanley Crouse, Vicki Atkins, Danunielle “Pie” Hill and Kimberlie Helton.

After working with James, Jim Gaines called her “one of the greatest blues-rock singers out there today. She’s someone I call an ‘old soul.’ Cee Cee’s songs are wonderful stories of her life experiences, and backed by Rob’s strong Delta roots/blues slide and rhythm guitar playing, they make a great team. Her style reminds me of our classic early female blues and rock singers. She’s very passionate about giving a great performance.”

Cee Cee’s blistering vocals tell the truth of the powerful messages in her songs, born and bred from a lifetime of heartache and loss, but delivered with a message of hope, understanding and the healing power of love. The hallmark off her career has been her intense live performances, as anyone who’s seen her can attest. Blood Red Blues distills that energy and transmits it through the recording process into something that is valid and compelling.

Cee Cee James was originally based on the West Coast. Her first album, a pop/funk CD, garnered the Los Angeles Independent Artist of the Year Award; and a track off that album was honored as one of the top 10 in the John Lennon Songwriting Competition, before she directed all her talent and energy to the blues. Her second CD, Low Down Where the Snakes Crawl,” was released in 2008 and gained worldwide distribution, as well as critical press and radio attention. By that time, she had re-located to the Pacific Northwest and in 2009 she won the Klamath Falls, Oregon Blues Challenge & went on to compete in the 2010 IBC finals in Memphis, where esteemed writer/editor Don Wilcock called her” the most exciting and original act at this year’s IBC.” Her last CD, Seriously Raw – Live at Sunbanks,” drew more extensive radio airplay and rave reviews, also bringing Cee Cee the “Best Blues Songwriter Award” and a nomination for “Best Blues Vocalist” from the Washington Blues Society in 2010.

Cee Cee James just returned from a tour of Europe that included shows in the recently earthquake-ravaged areas of Italy, and will return to that continent in October with a Scandinavian tour. She’s also been tapped to star in a supporting role in the upcoming film, We Be Kings, which also features such other blues stars as Magic Slim and Grana Louise, and features Slim’s band, The Teardrops.



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Robert Cray unveils "Nothin But Love" album

Pre-order the album here

Five-time Grammy award winning legend and Blues Hall of Fame Inductee Robert Cray is pleased to announce that his brand new studio album Nothin But Love will be released in the UK by Provogue Records on Monday August 27th.

Produced by Kevin Shirley (Joe Bonamassa, Aerosmith, The Black Crowes), the ten-song album includes material written by all four Robert Cray Band members; Robert Cray (vocals/guitar), Jim Pugh (keyboards), Cray Band co-founder Richard Cousins (bass) and Tony Braunagel (drums). The new album blends blues, rock, soul and jazz, with a lyric-sheet that examines the triumphs, fallouts and follies of love.

click for hi res

Nothin But Love is Cray’s sixteenth studio album and marks the latest milestone in a career that has produced 15 Grammy award nominations (5 wins), over 12 million record sales worldwide, thousands of sold out concerts across the globe, and even his own signature line of Fender guitars.



Produced with what Shirley refers to as “the dirt under the fingernails,” Nothin But Lovewas recorded live over two-weeks at the Revolver Studios in LA. The album features the soaring break-up blues of Won’t Be Coming Home, the jazz chops of I’ll Always Remember You, the soul-drenched ode to repossession that is Great Big Old House and the frantic ’50s-flavoured rocker Side Dish.

Since the release of his 1986 break-out album Strong Persuader, Cray has been Blues rock royalty. He has performed and recorded alongside the best in the business - from Eric Clapton to Stevie Ray Vaughn, from Bonnie Raitt to John Lee Hooker. Cray was recently inducted into the Blues Hall of Fame at the age of 57; making him the youngest living legend to receive the prestigious honour.

ROBERT CRAY - BIOGRAPHY

With 5 Grammy Awards, 15 nominations, over 12 million of records sold worldwide, and thousands of sold out performances, rock blues icon Robert Cray is considered “one of the greatest guitarists of his generation.” Rolling Stone Magazinein their April 2011 issue credits Cray with reinventing the blues with his “distinct razor sharp guitar playing” that “introduced a new generation of mainstream rock fans to the language and form of the blues” with the release of his Strong Persuader album in 1986.

Since then, Cray has gone on to record fifteen Billboard charting studio albums and has written or performed with everyone from Eric Clapton to Stevie Ray Vaughan, from Bonnie Raitt to John Lee Hooker. Recently inducted into the Blues Hall of Fame at the age of 57, he is the youngest living legend to receive the prestigious honor. And while he can look back over an astonishing three-decade career punctuated by his trademark sound and distinct playing style, Robert Cray is too busy moving forward on an amazing journey that has him releasing his sixteenth studio album and embarking on yet another world tour.

Nothin But Lovewill be released on August 27, 2012 and will be both his first collaboration with the Provogue Records label and super-producer Kevin Shirley (Aerosmith, The Black Crowes, Joe Bonamassa). This ten-song stand includes material from all four Robert Cray Band members; Cray (vocals/guitar), Jim Pugh (keyboards), Richard Cousins (bass) and Tony Braunagel (drums) that blends blues, rock, soul and jazz with a lyric-sheet that examines the triumphs, fallouts and follies of love.

“Kevin did an amazing job producing this album and I’m really happy with the outcome,” says Cray, “he captured the real essence of the Robert Cray Band, that live energy we deliver on the road that is usually so difficult to nail down in the studio. I think it’s one of the strongest records that we’ve done.”

And he’s right. In terms of production, long-time fans will be thrilled with a recording featuring what Shirley calls “the dirt under the fingernails.” Recorded live over a two-week burst at the Revolver Studios in LA, Nothin But Love features the soaring breakup blues of “Won’t Be Coming Home”, the jazz chops of “I’ll Always Remember You”, the soul-drenched ode to repossession that is “Great Big Old House” to the frantic ’50s-flavoured rocker “Side Dish.”

Cray still remembers the first love that led him here. “My dad was in the army, so we moved around quite a bit,” he explains. “I had a lot of time and the guitar became my friend. Also, when I first picked up a guitar, The Beatles were just out, and that’s why I got one. That’s why a lot of kids got guitars. The whole atmosphere of that time was, ‘Hey, I learnt this’. ‘Well, let me show you this…’ So that’s what sparked my interest, and it never really went away.”

Cray cites Jimi Hendrix, Buddy Guy and B.B. King as formative guitar influences, alongside singers like Bobby ‘Blue’ Bland, but just as pivotal for the aspiring bluesman was witnessing Albert Collins play a set at his high-school dance.

It was that Collins performance that led to the formation of the Robert Cray Band in 1974, a four piece touring band featuring Cray on lead vocals and guitar and longtime friend Richard Cousins on bass, whose thrillingly modern take on the blues was the talk of the circuit, even if the singer was a bit of an introvert on stage. “I just couldn’t speak to the audience,” says Robert with a smile, “so Richard would do all the introductions. These days I think I’m better at it.” In 1976 after two years of touring and in the first of many pinch-yourself moments the band was invited to be the house band for Albert Collins; a stellar musical apprenticeship and schoolboy fantasy that lasted over 18 months.

Opening their account with 1980’s Who’s Been Talkin’, the Robert Cray Band fired off three albums in quick succession, and although 1985’s False Accusations hijacked the charts and won an industry blues award, it was the following year’s Strong Persuader that achieved lift-off, hitting a US#13 chart position that was unprecedented for a blues record in the synthesizer age. “I guess Strong Persuader just captured a good spirit and energy,” Cray reflects. “People are still calling out for some of those songs at shows. It gave us a good springboard. I guess it was the songs, but it was also the era, because radio and MTV gave us a foothold, and we had videos out too.”

Cray had arrived in the big league. As singles like “Smoking Gun” scaled the singles charts across the planet and word spread of his incendiary live shows, his name began to be mentioned in the same breath as the blues heavyweights, and he was regularly to be found working alongside them. He spent the years that followed guesting on Eric Clapton’s Journeyman album, jamming live with Keith Richards, appearing in Tina Turner’s TV special Break Every Rule, posthumously inducting Howlin’ Wolf into the Rock ‘n’ Roll Hall of Fame, and supplying solos for the late John Lee Hooker. “We became good friends,” says Cray of this latter hero. “We were with the same agency, so we did a lot of shows together. I went to Japan with John Lee and watched as the Japanese fans mobbed him. It was fantastic. He was a real one-off.”

The oft-quoted line reads ‘bluesmen improve with age’, and Cray’s evolving output through the next two decades gives weight to the theory. “In the ’90s, we had the I Was Warned album (1992), and then Sweet Potato Pie (1997), which was a Memphis kind of thing that got into the soul bag,” he recalls. “I really liked those two records: there was some good songwriting.”

In 2000 he took home a Grammy for the album Take Your Shoes Off and went on to release two additional Grammy nominated albums Twenty (2005) featuring the poignant anti-Iraq war song of the same name, and This Time (2009) featuring the soul drenched favorite “I Can’t Fail.” The following year, the Robert Cray Band release the live album Cookin’ In Mobile (2010) and once again toured worldwide to sellout crowds.

“We have been very lucky,” says Cray, “with music becoming mostly digital in recent years and artists not selling the same number of physical records, we’re afforded the luxury of having a great loyal and amazing fan base around the world, allowing a band like ours to continue to work.”

It’s quite a humble and unassuming statement, given his illustrious career – but that’s always been Cray’s style. He doesn’t take anything for granted, doesn’t rest on his laurels. So on this sixteenth studio release, Robert Cray is once again laying down his cards, testing his talent, fusing that dazzling voice to some of the most powerful material in his three-decade back catalogue and offering his fans Nothin But Love.

Nothin’ But Love is not the kind of album you have a casual fling with. It’s the kind of album you fall for.

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ROBERT CRAY - ESSENTIAL WEB LINKS

Robert Cray – Official Website
www.robertcray.com

Robert Cray – Official Facebook
www.facebook.com/robertcraymusic

Mascot Label Group – Official Website
www.mascotlabelgroup.com


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